*anna

[jumpy]

>>>>>>>>>>>>>> 
>>>>>>>> 
>>>>>>>> 
>>>>>>>>>> From: anna balint <epistolaris at freemail.hu> To: syndicate at anart.no
Subject: [syndicate] Re:  * Date: Sun, Jul 28, 2002, 2:19 PM
>>>>>>>>>
>>>>>>>>
>>>>>>>> A. In the age of the global village and in Deep Europe, critical art
and
>>>>>>>>    theory are very much related to history.
>>>>>>>>
>>>>>>>> B. Theory, publishing of sources, media history, intertexuality, are
each
>>>>>>>>    important as themselves, sites, installations and performances.
>>>>>>>>
>>>>>>>> C. Understanding the media, medium-based art works, the Digital
Bauhaus,
>>>>>>>>    Open Access, networked communities and the semiotics of digital
expressions, are all key
>>>>>>>>    issues in reconciling and connecting the many different
understandings, criticisms, and
>>>>>>>>    identities involved.
>>>>>>>>
>>>>>>>> D. There are digital geographies, languages, psyches, technologies,
>>>>>>>>    politics and histories.
>>>>>>>>
>>>>>>>> E. Mappings of cultures, histories, and archeologies of digital space
do
>>>>>>>>    not interpret it.
>>>>>>>>
>>>>>>>> F. Hypertextual additions to visual, textual and musical, digital
worlds
>>>>>>>>    are similarly enmeshed in the perceptions and the understandings of
>>>>>>>>    these worlds.
>>>>>>>>
>>>>>>>> G. Interdisplinarity seems to diminish the divide of different art
forms,
>>>>>>>>    sciences and cultures, and to reinterpret notions of subjectivity:
>>>>>>>>
>>>>>>>>    interdisciplinary practice needs platforms where the reassembly of
>>>>>>>>    knowledge can become meaningful in respect of the actions of artists
>>>>>>>>    and cultural and media workers.
>>>>>>>>
>>>>>>>>