[syndicate] New Reviews on Furtherfield.org (July 05)

[marc]

Hi Frederic,

Yes - the authorities are taking care of it all...

m.

> all is well in London
>
>     ------------------------------------------------------------------------
>     *From:* Sympa Owner [mailto:sympa at kilby.copyleft.no] *On Behalf Of
>     *marc
>     *Sent:* Thursday, July 07, 2005 8:25 PM
>     *To:* syndicate at anart.no
>     *Subject:* [syndicate] New Reviews on Furtherfield.org (July 05)
>
>     *New Reviews on Furtherfield.org (July 05)*
>      
>     http://www.furtherfield.org
>
>     Scream(v0.1) by Amy Alexander.
>     Following a theme found in several of Amy Alexander's previous
>     works, Scream blurs the traditional distinctions between work and
>     play. The effects of computers on our leisure time - and vice
>     versa - is an important and still relatively under explored area
>     in the analysis of our current social and political realities,
>     despite the fact that "it's hard to tell work from play anymore.
>     We seem always to be working - even when we're playing. Reviewer:
>     Chris Joseph.
>     Direct link:
>     http://www.furtherfield.org/displayreview.php?review_id=149
>
>     Grafik Dynamo by - Kate Armstrong Michael Tippett, on Turbelance.org.
>     When I first encountered Kate Armstrong and Michael Tippett's
>     Grafik Dynamo after reading a brief description on the Turbulence
>     website, it made me think of the concept referred to as the
>     "Internet Hive Mind." While I don't subscribe to this concept as
>     such, my initial thought when viewing Grafik Dynamo was, "is this
>     an example of what collective consciousness looks like?" Reviewer:
>     Alison Coleman.
>     Direct links:
>     http://www.furtherfield.org/displayreview.php?review_id=152
>
>     House Gymnastics by Harrison&Ford.
>     Whilst discussing about boredom with each other in the upstairs
>     hallway, fed up with everything, wanting something different,
>     fresh and alive. They both realized that they had both reached a
>     crossroads regarding the context of their creativity. An important
>     era was born, and out of this meeting they busted their first
>     moves. The Brace was conceived and perfected that one afternoon
>     and several experimental versions of moves followed.
>     Reviewer: Joachim Desarmenien.
>     Direct link:
>     http://www.furtherfield.org/displayreview.php?review_id=150
>
>     Why Rock? by Annie Abrahams & Clément Charmet, at Turbulence.org.
>     As part of the guest curator's season at Turbulence.org, Annie
>     Abrahams and Clement Charmet have brought together a variety of
>     digital artists perhaps more well known for their visual arts than
>     musical explorations. Under the banner of Why Rock? The pieces
>     presented offer an intriguing exploration of digital music's
>     potential. One that is more aligned to ideas of DIY punk than what
>     we imagine the current music scene to be. Reviewer: Mark R. Hancock.
>     Direct link:
>     http://www.furtherfield.org/displayartist.php?artist_id=205
>
>     Call 1 800 interact... by Martha Carrer Cruz Gabriel.
>     Bringing together voice and image to build a visual mosaic of
>     users chosen colours, Voicemosaic allows us to hear the voices of
>     people dropping by and saying a few words (mostly in Portuguese,
>     and English) to be part of the project. Voicemosaic shows a screen
>     that maps participation as it arrives from several different
>     geographical areas, in different languages and different times,
>     and from this something is meant to be produced. Reviewer: Joachim
>     Desarmenien.
>     Direct link:
>     http://www.furtherfield.org/displayreview.php?From=Index&review_id=144
>
>     All reviews:
>     http://www.furtherfield.org/displayreviews.php
>     Reviewers at Furtherfield:
>     http://www.furtherfield.org/reviewersbio.php 
>
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>
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