[syndicate] -/ The loVe shoW /-

[Matze Schmidt]

> Flame songs concert

flame songs, wow, what a term (i mean it!)
imagine flame wars with sound, like dj-battles or post-guitar
hero-fights. 
flame the songs. yes.
but the rest of the (english) text i did not understand.

> In a discussion with Clément Thomas, George Rotbers protests:  "One
> cannot all the same reduce the activity of Internet network to a 
> free-for-all!"

what is the background of this protest?
if it (and when i say "it" i mean all wares) is not about free-for-all,
as it should be, and we all know it isn't, what should it be then? to
say "free-for-all!" is not the reduction, it is the widening of
the awareness of production in society. but why do some people need
"hyperHits" and especially "of tomorrow"? why this gesture of _future
now_ combined with a slight idea of the system of profit? why hits? why
reproducing the "hit" as concept? why concert? why not just a mass of
tracks played - like the imagination of bit torrent (= stream) suggests
with video/film? so why con-cert? is it, that there is a lack of
organized creating and style and you (who?) like to have it, to get it?

> the flamers whose texts are the traditional ones of the
> netSong today and on the way to become the hyperHits of tomorrow.

best

m

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