Please, sign in the defence of Dorota Nieznalska

[anna balint]

[i add here the letter of 
Piotr Rypson in support of Dorota Nieznalska,
signatures go to wyspa_mode at wp.pl]



"Piotr Rypson" <rypson at mindworx.com.pl>

Dear Friends and collegues,

art in Poland is facing a lot of pressures and attempts of censorship by
public, cleric and corporate bodies. But the court case against Dorota
Nieznalska is extremely dangerous as it sets up a precedent of consoring
art and artists by courts.

I strongly urge you to sign this letter or just say that you agree to add
your name to the list -  and send it back to
<mailto:wyspa_mode at wp.pl>wyspa_mode at wp.pl .

With best regards,

Piotr Rypson

Dear Friends,
below you will find the description of the court case against artist
Nieznalska and a reproduction of the piece - so you can get a closer
picture of what happened.
best regards,
dr Piotr Rypson
mindworx Polska
tel. (+4822) 828 86 51
fax (+4822) 826 36 36
www.mindworx.com.pl
www.e-akademia.pl
www.e-dukacja.com.pl 

----- Original Message ----- From: Aneta Szy³ak
To: Piotr Rypson
Sent: Monday, July 28, 2003 1:35 PM
Subject: Wysy³anie wiadomo¶ci e-mail: Pasja Nieznalska
Below is the desciption of her work and the context of conflict. It is the
fragment of my text just published in n.paradoxa. A week ago Nieznalska was
sentenced guilty of the violence of the religious feelings. The charge is 6
months of limited freedom (she won't be able to travel outside of Gdansk)
and has to work for some charity organization. We has to cover the entire
cost of the lawsuit. She does not have any money to do so. The are trying
to defend her due to the civic consitutional rights, such as freedom of
speech and the freedom of the artistic expression. Attached is the image of
the work. More information you can find at www.hysterics.art.pl or
www.spam.art.pl/Nieznalska . Please do not hesitate to contact us if you
have any questions.
Best regards,
Aneta Szylak
curator
Gdansk
------------------------------------------------------------------------------
-------------
Nieznalska who exhibited her new work Passion (2001) at the Wyspa Gallery
in Gdansk was accused for the violence of religious feelings and recently
is having a lawsuit with the right wing nationalist party called the Polish
Families, League that brought the charge to a public prosecutor. The party
and its youth called Mlodziez Wszechpolska (All-Poland Youth) announced a
countrywide crusade against the art targeting the religious symbols and
chasing not only the artists, but also everyone who is carrying the mark of
the Other.
But what really happened? The installation Passion consists of two
elements: the object in for of the Greek cross made of metal, suspended
from the ceiling, and covered in its front by the color photo of men’s
tights, hips and genitals. The cross is exposed on the silent, single
channel video projection of the face of the man lifting weights in the
background. Filmed overhead, he shows to the spectator only his head and
shoulders. We can see the grimace of torment on his face. It would be hard
to realized without written information, what this person is doing at the
moment – the feeling of torment may come from some other kind of activity.
Since her study time Nieznalska for years has been interested in the
cultural model of masculinity and the impact of Catholic religion in
implementing this phenomenon She explored from the gendered perspective the
Biblical myths of Adam and the original sin in Vitium Originis and
Absolution (1999), discussed the control over the body in contemporary
consumerist culture in Female and Omnipotence. Gender: Male (2000),
searched for antic models of masculine sexuality in Potency and drawn the
portrait of statistic rapist in Modus Operandi (1998). The subversive power
of her art lies down in applying gender categories to Christian religion,
observed here more as cultural paradigm than system of belief. Nieznalska
is investigating the plots of control, discipline, guilt, punishment and an
unspoken pains and pleasures of victimization. As we can realize from her
works, she sees both women and men as the victims of cultural taming, not
even fully able to define the origins of torment they willingly expose
themselves to. She looks for the roots of it a voluntary self-sacrifice in
the basis of our civilization.
The charge in the court concerns the juxtaposition of the form of cross the
Polish Families League recuperates as only religious symbol they want to
protect with the representation of men’s genitals, considered as an offense
of religious feelings. The opponents of Nieznalska, among them many women
were arguing, that the woman should not use a picture of men’s genitals,
still one of the most forbidden images. “Shame on you” they were
screaming”. Some of them were very caring: “I am sorry for you, you must be
mentally ill”. In the Internet discussion many activists of Mlodziez
Wszechpolska, including acting member of the City Council of Gdansk,
suggested the exemplary punishments that should be performed on the
artists, including shaving a head (like those who slept with the Nazis
during WW II) and a group rape. This shocking opinions sound familiar to
those who observe Polish art scene. In 1999 one conservative male
publicists also known as Christian mystical poet suggested, that Katarzyna
Kozyra should be punished by the public flogging and shut down in prison.
Although also male artists were strongly attacked both by politicians and
critics but only women were considered such humiliating and sexually
dependent way.