'technics of cyber< >feminism <mode = message>'
Claudia Westermann
media at ezaic.de
Tue Dec 4 17:11:31 CET 2001
http://www.thealit.dsn.de/kultur/cyberfeminism/cyber.html
'technics of cyber< >feminism <mode = message>'
7.-9. 12. 2001, Künstlerhaus am Deich, Bremen (Germany)
question:
<If> Cyberfeminism was a question of technic?
<and> that means a questioin of procedure. <but> <and> <or> <in this
respect> <in contrast> <if> <as> etc.
<As> 'technics' bears at least two meanings in the field of cyberfeminsim,
there may first come to mind the technical conditions that produced the
'cyber'- prefixes to feminism: the digital medium in its specific forms of
cyberspace and the conditions of electronic network-communication. In
science as in popular culture 'information' functions as an effective
'hybrid', transgressing the borders of the hithero concrete or conceptual
in a new way. <As> 'information' has universal descriptive power from its
theoretical mathematical origins, such 'information' has been translated in
the machine-base, radically altering the forms and functions of our
knowledge, perception, bodies etc. What about the second notion of
'technics'? <If> this means furthermore something performed by 'subjects'
revolutionary, psychoanalytic, mechanical etc, this second 'technics'
figures as the mode of a feminist praxis: the structuring of cyberfeminist
acts.
<But> how do these 'technics' interact, <if> one is considered to be the
condition of the other? Such interaction follows necessarily a paradoxical
line: <for> cyberfeminism has to articulate a new epistemological as well
as a political field, including the'subjects' of these processes as
elements of a radical praxis <or> an automatic calculation.
But what to do, <if> cyberfeminism audaciously will have forgotten the
classical, revolutionary (<and> terrorist) demand - of the (self)creation
of a 'new human'? This disciplinary phantasm is no longer available, nor is
probably the notion of what would be 'one' subject, if a subject consists
of elements indistinguishable from a machine's performance... <If>
cyberfeminism is not only a media-effective term for a few vague ideas?
<But> as well an 'operation' in the precise meaning, taking up the system's
function of a network as political and theoretical form? <As> the private
is political (under certain conditions), the topological is proposed to be
subject at this laboratory. Like <if>, the basic element of programming
languages for case differentiation and ramification - cyberfeminism can
indicate this operation. The feed-back loop: "if x then a else b" sets an
unpredictable future for the machine's actions: a network can be run
through in various possibilities.
<Else> <if> cyberfeminism was a technic of simulation? After all, the
combination of some loose mental sequences are encountered as
characteristic of each true invention. For example 'the' film projector or
'the' digital computer were invented at different locations within the same
historical period as it has been the case for the notion of
'cyberfeminism'. Not that the success story of a technical affirmation of
what is not (or: not all) could have been predicted: simulations as are
'woman' <or> 'signal processing' worked out in different cyberfeminist
tactics. Or did anyone in 1945 already read the following words in Vannevar
Bush's famous article 'As we may think' in their present, cyberfeminist
meaning: "... they (the advanced arithmetical machines) will select their
own data and manipulate it (...). Such machines will have enormous
appetites. One of them will take instructions and data from a roomful of
girls armed with simple keyboard punches, and will deliver sheets of
computed results every few minutes."?
<In this respect>: Cyborg Feminism? (Donna Haraway) <nevertheless> feminism
in cyberfeminism? (Faith Wilding) <or> the clitoris as direct line to the
matrix? (VNS Matrix) <In this respect> female extensions? (Cornelia
Sollfrank) <in contrast> Cyberfeminism - with a difference? (Rosi
Braidotti) <otherwise> Spiderfeminism? (Helene von Oldenburg) <and> weaving
automatic feminism like Jaquard's loom? (Sadie Plant) etc. After all: <If>
you don't make your bets on your simple keyboard punches, <then> rien ne va
plus <and> goes on as always.
<Else> <if> cyberfeminism was construced by collective technics of dissent?
<If> it is taken seriously one time that there is not 'one' cyberfeminism,
but a debating culture of different approaches, reflecting themselves not
as exclusive and for the time being unique? Such cyberfeminist procedures
demand a reciprocal perception as well as a sufficiant standing, perhaps
enormous appetites for debates, without the assurance the one position can
be defined. Instead of this: ambivalences, misunderstandings, raisings to a
higher power (in the mathematical sense), experiments. "<If> the principle
of dissent has been a transitory meeting point for some ideas and desires
... <then> forget it <or> work it out." (Old Boys Network)
For <if> a bet is placed on the fact that what will become reality is made
by women with machines, both can win. And <then> history can be deciphered
in the mode of an incomplete future - and what perhaps will continue to be
called women will continue to simulate in the zone beween the physical and
the non-physical. Or how would you call this strange new skin of the
virtual that coates seamlessly displays and surrounding objects like a
slightly shifting double? At least it is somewhere worth working in: the
utopian space which opens between the meaning and the letter, between
different readings and practices, between desires and facts, between
different versions of what is and what is not. This can mean: to work in a
transition zone between informational noise and modes of simulation.
<In this respect> <otherwise> <while> < therefore> <but> <when> <if>
produce
(Claudia Reiche)
you'll find some more things on the web site:
abstracts to the conference:
http://www.thealit.dsn.de/kultur/cyberfeminism/home/abstracts.html
and a questionary here you may fill out
and put your opinion into discussion:
http://www.thealit.dsn.de/gaestebuch/add.htm
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