[syndicate] Furthernoise issue January 2007

fmadre at free.fr fmadre at free.fr
Mon Jan 29 18:22:20 CET 2007


couldn't find a top ten of releases for 2006!

f.


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     Date : Mon, 29 Jan 2007 17:03:52 +0000
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> Furthernoise issue January 2007
> http://www.furthernoise.org/index.php?iss=60
>
> Welcome to the new years issue of Furthernoise.org. We have loads of
> new reviews & critical analysis of some of the best and most recent
> music and noise including a feature interview with Toby Butler and
> Lewis Gibson on their soundwalks project Memoryscape along the river
> Thames.
>
>
> "Memoryscape with Toby Butler and Lewis Gibson" (feature)
> Memoryscape are sound walks that take place at two of the most
> contrasting stretches of river in London. DRIFTING begins in the
> peaceful surroundings of Hampton Court Palace and DOCKERS ends up in
> the rarely explored industrial landscape of the Greenwich peninsula.
> Mark Mclaren interviews Toby Butler and Lewis Gibson the artists behind
> the work and starts by asking how memoryscape was recorded and realised.
> http://www.furthernoise.org/page.php?ID=150
> feature by Mark McLaren
>
> "A little Hungry - The Caution Curves" (review)
> Lets cut to the chase?
> This may take some time... last thing they did (The Caution Curves CD)
> was really a surprise, of the cup of tea brought to you in bed variety,
> nice, thoughtful, warm and sweet.
> But now I know what to expect... so I shall furrow my brow deeply in a
> serious music reviewer frown, grit my jaded teeth, prepare to be
> disapointed and insert the disk.
> http://www.furthernoise.org/page.php?ID=151
> review by Mark Francombe
>
> "Duae - Pablo Reche and Miguel Angel Tolosa" (review)
> A collaboration between sound artists Pablo Reche (Buenos Aires) and
> Ubebeot (Madrid) which explores "post-industrial landscapes and
> isolated urban spaces".
> http://www.furthernoise.org/page.php?ID=157
> review by Mark McLaren
>
> "Hades by Marc Behrens and Paulo Raposo" (review)
> In Hades Marc Behrens and Paulo Raposo take us on a seafaring journey
> to the imaginary underworld, witnessing an old sunken boat being
> wrenched from its watery grave gave them the idea to create a sonic
> journey towards the shadowy depths.
> http://www.furthernoise.org/page.php?ID=154
> review by Mark McLaren
>
> "noTnoTesnoTrhyThms by Henry Gwiazda" (review)
> In the world of audio technology, 3D sound is often used as a selling
> point for all manner of weird and wonderful technologies. To Henry
> Gwiazda, however, the promise of "virtual audio" and placing sound in
> three-dimension space offers a world of possibilities.
> http://www.furthernoise.org/page.php?ID=159
> review by Alex Young
>
> "Sprawl London - Featuring Robert Hampson and Simon Longo" (review)
> Sprawl - London Sunday 15th December Featuring Robert Hampson and Simon
> Longo. Despite the bleak wet Sunday night and collective end of year
> lethagy, the snug environs of London's Charterhouse Bar seemed the
> perfect setting to warm the cockles with the sonic perambulations of
> Simon Longo and Robert Hampson.
> http://www.furthernoise.org/page.php?ID=155
> review by Roger Mills
>
> "The IfIf - Ollo" (review)
> Described as Sydney's own 'Fun Boy 2' Alex Crowfoot and Lars Chresta
> aka Ollo have created a electro downbeat tour de force in their new
> album The IfIf. Released through Groovescooter in Australia and 12
> Apostles in Europe & the USA, this sparkling array of tracks veers
> between electro pop, break beat dub & sonic art.
> http://www.furthernoise.org/page.php?ID=149
> review by Roger Mills
>
> "We All Fall Down - Off The Sky & The Circular Ruins" (review)
> Any collaboration between Jason Corder (Off The Sky: samples and loops)
> and Anthony Paul Kerby (The Circular Ruins: synths, treatments,
> samples) should prove interesting, at the least. Mixing Corder's
> quasi-whimsical idiosyncratic pops, clicks, glitch and beats with
> Kerby's darker textural ambient landscapes yields many things, but
> boring is certainly not on the radar.
> http://www.furthernoise.org/page.php?ID=156
> review by Bill Binkelman


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