[syndicate] Fwd: Slippage: net.art Exhibition Announcement

[_vvire.us_]

>
>Exhibition Announcement
>
>"Slippage: fragilities and instabilities in the phenomena of meaning"
>
>an exhibition of net.art, runs parallel to 
>ISEA2006/ZeroOne San José.  http://01sj.org
>
>Exhibition URL: http://slippage.net
>Exhibition dates: July 15 - August 31, 2006
>Curator: Nanette Wylde
>
>Slippage exists in the grey areas of language 
>and social interaction. It is the realm of the 
>in-between--the place of disjunction, 
>expectations, covert meanderings, and the 
>processes and residue of questioning minds. 
>Sites selected for "Slippage" explore and expose 
>relationships between intention, perception, 
>control, experience, behavior, memory, knowing and the unexpected.
>
>Artists include Mez Breeze; Krista Connerly; 
>Juliet Davis; Lisa Hutton; Paula Levine; Jess 
>Loseby, et al.; UBERMORGEN.COM; and Jody Zellen.
>
>"Mez does for code poetry as jodi and Vuk Cosic 
>have done for ASCII Art: Turning a great, but 
>naively executed concept into something 
>brilliant, paving the ground for a whole 
>generation of digital artists." (Florian 
>Cramer). The impact of her unique code/net.wurks 
>[constructed via her pioneering net.language 
>mezangelle] has been compared to Shakespeare, 
>James Joyce, Emily Dickinson, and Larry Wall. 
>Mez has exhibited extensively eg Wollongong 
>World Women Online 1995, ISEA 1997 Chicago USA, 
>ARS Electronica 1997, SIGGRAPH 1999 & 2000, 
>_Under_Score_ @ The Brooklyn Music Academy USA 
>2001, +playengines+ Melbourne Australia 2003, 
>p0es1s Berlin Germany 2004, Arte Nuevo 
>InteractivA Yucatan Mexico 2005 + in Radical 
>Software @ Turin Italy 2006. Her awards include 
>the 2001 VIF Prize [Germany], the JavaMuseum 
>Artist Of The Year 2001 [Germany], 2002 
>Newcastle New Media Poetry Prize [Australia], 
>winner of the 2006 Site Specific Competition 
>[Italy] + 2006 Artifical A.Gender Competition [Australia].
>
>Krista Connerly's overarching work is the 
>Project for Urban Intimacy, an online space that 
>features projects and ideas for instigating 
>intimate encounters and "border-crossing" within 
>an urban environment. Connerly received her MFA 
>from Carnegie Mellon University in 2001. Her 
>work has been featured in a range of national 
>and international venues, including the Women's 
>International Film Festival in Sydney, 
>Australia, the Los Angeles Center for Digital 
>Art, the Contemporary Art Institute of Detroit, 
>the New Museum's online art community Rhizome, 
>The Urban Institute for Contemporary Art in 
>Michigan, and the Next Wave Festival in Melbourne.
>
>Juliet Davis (Assistant Professor of 
>Communication, the University of Tampa, Florida) 
>is an intermedia artist, writer, and researcher, 
>teaching theory and practice in interactive 
>media, visual culture, and media writing, with 
>particular interest in cyberfeminism. Davis' 
>writing appears in peer-reviewed journals such 
>as Intelligent Agent and Media-N (Journal of the 
>New Media Caucus), and among Rhizome Digest 
>commissions. Her artwork, which is forthcoming 
>in SIGGRAPH 2006, has exhibited in Institute of 
>Contemporary Art (London), MAXXI Museum (Rome), 
>Web Biennial (organized by the Istanbul 
>Contemporary Art Museum), The International 
>Museum of Women (web), D>Art (Sydney Opera 
>House), The Tampa Museum of Art, FILE (Rio and 
>Sao Paulo), the Iowa Review Web, and many other 
>spaces. She was awarded the 2005 "Born Digital 
>Award" presented by the Institute for the Future 
>of the Book (hosted by the University of 
>Southern California's Annenberg Center for Communication) and is currently w!
>  riting a book for called Exploring Writing for 
> New Media (Thomson Delmar), to be published in 2007.
>
>Lisa Hutton is an independent San Diego based 
>artist working primarily in new media.  She 
>received her MFA from the University of 
>California San Diego. Recent exhibitions include 
>Digital Visions and Prog:ME.  Her work has been 
>exhibited in diverse venues including the 5th 
>and 7th New York Digital Salons, LA Freewaves at 
>MOCA Los Angeles, the Downey Museum of Art in 
>Downey, CA, the Walker Art Center's Beyond 
>Interface, ISEA '97 Chicago, and Prix Ars 
>Electronica, Linz, Austria. She has been getting 
>along very well with computers since 1987 and is 
>sometimes seen using rollerblades.
>
>Paula Levine is a visual artist focusing on 
>experimental narrative and new forms of 
>narrative spaces. She comes from experimental 
>documentary photography and video.  Her 
>research/art practice is in Locative Media -- 
>Global Positioning System (GPS), wireless and 
>remote devices. Recent work looks at hidden 
>dynamics as a way to develop new understandings 
>about the nature of place. Paula Levine is an 
>Associate Professor of Art at San Francisco 
>State University.  She teaches in 
>Conceptual/Information Arts (CIA), an area 
>focusing on digital art and experimental technologies.
>
>Jess Loseby is a digital artist from the UK. Her 
>main "canvas" is the Internet but she also 
>creates large interactive installations, video, 
>mobile phone media, prints and performance. Her 
>work is based around "the cyber-domestic 
>aesthetic": scrutinising the small, the domestic 
>and her ideas of "amplified reality". She was 
>the first artist to undertake a totally virtual 
>artist residency (with Furtherfield.org) and her 
>awards include Daniel Langlois, Dino Villani 
>International Prize (Premio Suzzara) and Arts 
>Council England. She exhibits in galleries and 
>festivals internationally and is an established 
>artist-curator. Jess has an eccentric husband, 3 
>inspirational children and a pink wheelchair. 
>She also lives in "the village" - just not that one.
>
>UBERMORGEN.COM is an artist duo created in 
>Vienna, Austria, by Lizvlx and Hans Bernhard, a 
>founder of etoy. Behind UBERMORGEN.COM we can 
>find one of the most unmatchable identities 
>'controversial and iconoclast 'of the 
>contemporary European techno-fine-art 
>avant-garde. Their open circuit of conceptual 
>art, drawing, software art, pixel-painting, 
>computer installations, net.art, sculpture and 
>digital activism (media hacking) transforms 
>their brand into a hybrid Gesamtkunstwerk. 
>UBERMORGEN.COM‚s work is unique not because of 
>what they do but because how, when, where and 
>why they do it. The computer and the network are 
>(ab)used to create art and combine its multiple 
>forms. The permanent amalgamation of fact and 
>fiction points toward an extremely expanded 
>concept of one‚s working materials, that for 
>UBERMORGEN.COM also include (international) 
>rights, democracy and global communication 
>(input-feedback loops). 'Ubermorgen' is the 
>German word both for 'the day after tomorrow' or 'su!
>  per-tomorrow'.
>
>Jody Zellen is an artist living in Los Angeles, 
>California who works in many media 
>simultaneously making photographs, 
>installations, net art, public art, as well as 
>artists' books that explore the subject of the 
>urban environment. She employs media-generated 
>representations of contemporary and historic 
>cities as raw material for aesthetic and social 
>investigations. Solo exhibitions include Pace 
>University's Digital gallery (2005); The Laguna 
>Art Museum (2004-05); Susanne Vielmetter Los 
>Angeles Projects (2002); Deep River, Los Angeles 
>(2001). Her net art projects have shown world 
>wide since 1997 in festivals and exhibitions 
>such as Arte Nuevo Interactive, Mexico; ACCEA, 
>Armenia; Prog:Me, Rio de Janeiro (2005); File, 
>Brazil; Festival du Noveau Cinema, Montreal; 
>Siggraph, Los  Angeles; International Festival 
>of Electronic Art, Argentina; Cosign, Croatia 
>(2004); New Forms Festival, Vancouver; Recontres 
>Internationales, Berlin (2003); Whitney Museum Artport (2002); XXV Bienal de !
>  Sao Paulo (2002); Art Future, Taiwan (2000); 
> Net_Condition, ZKM (1999); Film + Arch.3, Graz (1997).
>
>Nanette Wylde is a conceptual artist working in 
>hybrid media. Her interests include: language, 
>personality, difference, beliefs, systems, 
>ideas, movement, reflection, identity, 
>perceptions, structure, stories, socializations, 
>definitions, context, memory, experience, 
>change, and residue.  She is an Associate 
>Professor of Art & Art History at California 
>State University, Chico where she developed and 
>coordinates the Electronic Arts Program.





_thick.memoir.cableing.nost[||neur]algia.bloody_
http://www.hotkey.net.au/~netwurker/
http://www.livejournal.com/users/netwurker/


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