[syndicate] Re: RHIZOME_RAW: 2006 Sarai-CSDS Independent Fellows

Frederic Madre fmadre at free.fr
Sat Jan 7 20:32:34 CET 2006


they were chosen because of weird names ?!

f. 

> -----Original Message-----
> From: Sympa Owner [mailto:sympa at kilby.copyleft.no] On Behalf Of ¤
> Sent: Saturday, January 07, 2006 8:29 PM
> To: syndicate at anart.no
> Subject: [syndicate] Re: RHIZOME_RAW: 2006 Sarai-CSDS 
> Independent Fellows
> 
> independent?
> 
> Marisa Olson wrote:
> > I just thought I'd forward this with a note of 
> congratulations to the new
> > Sarai Fellows...
> > 
> > ---------- Forwarded message ----------
> > From: vivek at sarai.net <vivek at sarai.net>
> > Date: Jan 5, 2006 2:02 AM
> > Subject: [Reader-list] 2006 Sarai-CSDS Independent Fellows
> > To: reader-list at sarai.net
> > Cc: commons-law at sarai.net
> > 
> > 
> > Happy New Year!  We're excited to announce this year's Sarai-CSDS
> > Independent Fellows, and we look forward to hearing more about their
> > upcoming explorations...
> > 
> > Vivek
> > 
> > The Sarai- CSDS Independent Fellows 2006
> > 
> > 
> > Arshad Amanullah, New Delhi
> > Journalism in Madrasas and Madrasas in Journalism
> > 
> > Daljit Ami, Chandigarh
> > Celluloid and Compact Disks in Punjab
> > 
> > Maitrey Bajpai, Mumbai
> > Cawnpore
> > 
> > Samit Basu, New Delhi
> > The Trousers of Time: Possible Futures of Indian 
> Speculative Fiction in
> > English
> > 
> > Rudradeep Bhattacharjee, Mumbai
> > Freedom in Cyberspace in the Context of India: A video documentary
> > 
> > Tushar Bhor, Mumbai
> > Water Lenses: Prelude for a New Imagination for Urban Water 
> in Mumbai
> > 
> > Budhaditya Chattopadhyay, Kolkata
> > Bishnupur Gharana: Story of a Forgotten Melody: Restoring 
> the sound of
> > Bishnupur Gharana
> > 
> > Averee Chaurey, New Delhi
> > The Song of the Baul
> > 
> > Ayesha Sen Choudhury, Kolkata
> > Locating Sexuality Through the Eyes of Afghan and Burmese 
> Refugee Women in
> > Delhi
> > 
> > Dilip D'Souza, Mumbai
> > Village in the city: Bombay in microcosm
> > 
> > Girindra
> > Pravasi Ilaqe mein telephone booth sanskriti
> > (The culture of telephone booths)
> > 
> > Uddipana Goswami, Guwahati
> > City as Setting: Reflections of the Changing Faces of 
> Guwahati in Assamese
> > Literature
> > 
> > Peerzada Arshad Hamid, Anantnag
> > Exploring the Space of Psychiatric Hospitals in Srinagar
> > 
> > Rakshat Hooja, Jaipur
> > Urban Stakeholder Activism and the Role of Resident Welfare 
> Associations
> > 
> > Farhana Ibrahim, Gurgaon
> > Maritime Histories: Merchant Networks and the Production of 
> Locality in
> > Western India
> > 
> > Lakshmi IndraSimhan and Jacob Weinstein, New Delhi
> > Vending as Vernacular: Depicting Street Sales and Services through
> > Sequential Art
> > 
> > Brajesh Kumar Jha, Delhi
> > Hindi Cinemayee geet aur uska Bhashayee safar
> > (The Language Journeys of Hindi Cinema)
> > 
> > Anjali Jyoti, New Delhi
> > Home Street Home: A Street Child Survival Guide for Delhi
> > 
> > Sunandan K.N., New Delhi
> > Workshop Boys of Coimbatore: A Study of City and Tacit Knowledge
> > 
> > Akshaye Khanna, New Delhi
> > Apni Jagah, Zarah Hut Ke: A “Staged Ethnography” of Space 
> and Sexuality
> > 
> > Naresh Kumar, New Delhi
> > Festival of Music in the City of Sports: Harballabh Sangeet 
> Mela of Jalandhar
> > 
> > Prabhat Kumar, Delhi
> > Yuvak Sangh aur ‘Yuvak’: 1920 ke dashak mein Bihar ka 
> bauddhik parivesh
> > (Yuvak Sangh and the ‘Yuvak’ magazine in the intellectual 
> public sphere in
> > 1920s Bihar)
> > 
> > Rajesh Kumar K, Trivandrum
> > An Ethnography of Teyyam Performance from a Practitioner’s 
> Point of View
> > 
> > Udaykumar M, New Delhi
> > Unravelling a 'Real' Media Incident in Trivandrum
> > 
> > Mallica, New Delhi
> > Identities and Aspirations of Tibetan Youth in New Delhi
> > 
> > Mamta Mantri, Mumbai
> > Movie Theatres on and Around Maulana Shaukat Ali Road, Mumbai
> > 
> > Abhinandita Mathur Veenu Mathur, New Delhi
> > My building and the Shahar
> > 
> > Rajesh Mehar, Bangalore
> > Exploring Notions of Creative Ownership Among Contemporary Musicians
> > 
> > Kamal Kumar Mishra
> > Hindi Hridaysthali mein Jasoosi Upanyason va Inkey 
> Paathakon ka Ek Samajik
> > Itihas
> > (A social history of detective novels and their readers in the Hindi
> > heartland)
> > 
> > Sanjeev Ranjan Mishra, Delhi
> > Gyan-vinimay ki nayi takneekein aur mel banate Dalit
> > (The New Technologies of Knowledge-flow and the Dalits)
> > 
> > Izhar Ahmed Nadeem, Delhi
> > Muslim Mahilaon ki Urdu Patrikayo ki Duniya
> > (Urdu Women's Magazines: Their impact on Muslim Women)
> > 
> > Veena Naregal,
> > Informal Economies and Cultural Patronage: Studying Bollywood
> > 
> > John Patrick Ojwando, Bangalore
> > An Exploration of the Experiences of Afro students in South Asia
> > 
> > Anil Pandey, NOIDA
> >  Desi Filmon ka Karobar
> > (An analysis of the desi films trade)
> > 
> > Piyush Pandey, Delhi
> > News Channelon ka Satyakathakaran
> > (The Satyakathaization of News Channels, on the compulsive 
> crime reporting
> > on TV)
> > 
> > Rahul Pandita, Delhi
> > Byte Soldier: The Life and Times of a Metro TV Reporter: A 
> Graphic Novel
> > in Hindi
> > 
> > Janice Erica Pariat, New Delhi
> > Writing the Notion of Home and Urban Space
> > 
> > Sudipta Paul, West Bengal
> > Response of the Labour Force to the Changing Urban Formation in the
> > Asansol Industrial Area, West Bengal
> > 
> > Dripta Piplai, New Delhi
> > The Hegemony of Calcutta Music Schools in Tagore Songs: Towards an
> > Archival Preservation of 'Multiple Traditions in Rabindrasangeet'
> > 
> > Vasundhara Prakash, New Delhi
> > 15 Seconds of Fame: Extras in Bollywood
> > 
> > Nandita Raman
> > Dilli ke cinemagharon ka badalta swaroop: ek chhayachitraN
> > (The changing face of Delhi’s cinema halls)
> > 
> > Nithya V Raman, Chennai
> > Disaster Politics: An Examination of Tsunami Relief in Chennai
> > 
> > Kaushiki Rao, New Delhi
> > Transplanting the Urban Aesthetic in a Resettlement Colony in Delhi
> > 
> > Rama Rao
> > Ladkiyon ke College ka sarvajanik telephone aur ab har hath 
> mein mobile
> > (Then and Now: The public telephone in girls’ colleges and 
> the mobile phone)
> > 
> > Rinchin, Bhopal
> > Tracing the History of Girl's Education in a Small Town 
> Through the Eyes
> > of its First Woman Teacher
> > 
> > Vikhar Ahmed Sayeed, Chennai
> > Indian Print Media and its Reportage on Fatwas
> > 
> > Nirupama Sekhar and Sanjay Ramchandran, Mumbai
> > Urban Stories: A Collection of Graphic Essays on the City of Mumbai
> > 
> > Debjani Sengupta, New Delhi
> > Colony Fiction: Refugee Colonies and their Representation in
> > Post-Partition Kolkata
> > 
> > Aman Sethi, New Delhi
> > Seeking Alternative Ways and Means of Representing the “Poor and the
> > Oppressed” by Studying Informal Networks at Labour Mandis in Delhi
> > 
> > Ram Murthi Sharma, UNA, Himachal
> > An Analysis of Magazines in Braille
> > 
> > Parismita Singh, New Delhi
> > Babel in Humayunpur, the Gift of Difference: a Comic Book Exploring
> > Migrant Experience
> > 
> > Sidharth Srinivasan, New Delhi
> > A photoroman feature film: a Love Story Intertwined with 
> the Myth and
> > Folklore of Delhi's Heritage Sites
> > 
> > Sheba Tejani, Mumbai
> > Queer Cityscapes: Exploring Mumbai Cityscapes through the 
> Eyes of Two
> > Queer Women.
> > 
> > Mrityunjay Tripathi, Allahabad
> > Allahabad ki Chhatra Rajniti
> > (Student politics in Allahabad)
> > 
> > Indu Verma, Mumbai
> > Society and the Soap Factory
> > 
> > Aamit Rai, Wardha
> > Harsud aur media
> > (Harsud and the Media)
> > 
> > Syed Mohd. Yunus and Syed Mohd Faisal, Delhi
> > Asahay Mahanagar: Help Line karyakartaon ke najariye Se 
> Dilli Shahar ka
> > Adhyayan
> > (Helpless City: A Study of Delhi from the Perspective of 
> Help Line Workers)
> > 
> > 
> > 
> > _________________________________________
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> 
> 





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