[syndicate] New Reviews, interviews & Articles on Furtherfield.org April 06.

[marc]

Hi Malia,

I suppose a view on blandness depends on one's own emotional state at of 
mind and moment in time.

Would you prefer this?

http://irational.org/heath/gorge_poster/avon_gorge_poster_workers_marc_louise.jpg

http://www.irational.org/heath/gorge_poster/

marc







>I won’t bore you with too many details, as I want to keep you reading my blog,  ... Are we talking about the same art here? Blandness bleeds from each page ...
>Forum Radio QRP - The Art of Low Power and Clandestine Operations Forum Radio  ... You can also use lots of smileys, just click on what you want and then the ...
>Get out your pen, paints, paper or canvas...we want your best artistic effort  ... The Board of Directors of the Carbondale Council on Arts and Humanities ...
>
>mailia
>
>marc <marc.garrett at furtherfield.org> wrote:
>  
>
>>New Reviews, interviews & Articles on Furtherfield.org April 06.=0A=
>>=0A=
>>http://www.furtherfield.org=0A=
>>=0A=
>>-Mary Flanagan: Interviewed by Jess Laccetti.=0A=
>>-Free103point9 and Transmission Arts: Reviewed by Mar=C3=ADa Victoria Gugli=
>>etti.=0A=
>>-Chris Ashley - Look, See: Reviewed by Rob Myers.=0A=
>>-Flick Harrison's Interactive Cinema: Marie Tyrell - Article by Camille=20=
>>=0A=
>>Baker.=0A=
>>-FurtherCritic Article by [[Mez]]:=0A=
>>Unlearning Paris Hilton [vs: Reconstructing (Gender) Isabella].=0A=
>>On Abe Linkoln's video on 'isabelle-dinoire'.=0A=
>>=0A=
>>Mary Flanagan - Interviewed by Jess Laccetti.=0A=
>>-------------------------------------------------->=0A=
>>An interview with Mary Flanagan by Jess Laccetti about the idea of=20=0A=
>>works-in-progress and issues around exploration. Flanagan's artwork has=20=
>>=0A=
>>been shown internationally at venues including the the Whitney Museum of=20=
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>>American Art 2002 Biennial, SIGGRAPH, Ars Electronica, Whitney Museum of=20=
>>=0A=
>>American Art's Artport, the Moving Image Centre in Auckland, Central=20=0A=
>>Fine Arts Gallery, New York, the Guggenheim, University of Arizona,=20=0A=
>>University of Colorado Boulder, New York Hall of Science, and=20=0A=
>>galleries/events in Spain, the UK, Norway, Japan, Denmark, Canada,=20=0A=
>>Australia, Hong Kong, France, Italy, Slovenia, and the US.=0A=
>>Interviewed by Jess Laccetti.=0A=
>>http://www.furtherfield.org/displayreview.php?From=3DIndex&review_id=3D179=
>>=0A=
>>=0A=
>>Free103point9 and Transmission Arts.=0A=
>>-------------------------------------------------->=0A=
>>Since its emergence as a microcasting artist collective in 1997,=20=0A=
>>free103point9 has consistently pursued the legitimization and promotion=20=
>>=0A=
>>of transmission arts. Today, the clandestine collective is a non-profit=20=
>>=0A=
>>arts organization whose many ventures are: Project space -a gallery in=20=
>>=0A=
>>Brooklyn, New York-, Wavefarm -a research centre currently under=20=0A=
>>construction-, a radio lab, an on-line radio and a distribution label.=20=
>>=0A=
>>Aware of the need of defining transmission arts, free103point9 has=20=0A=
>>painstakingly theorized and documented the history and forms of=20=0A=
>>transmission art: radio and video art, performance, installation, light=20=
>>=0A=
>>sculptures. Textbooks and a growing on-line archive of transmission=20=0A=
>>artworks are two ways in which free103point9 consolidates the notion of=20=
>>=0A=
>>transmission arts.=0A=
>>Reviewer: Mar=C3=ADa Victoria Guglietti.=0A=
>>http://www.furtherfield.org/displayreview.php?From=3DIndex&review_id=3D178=
>>=0A=
>>=0A=
>>Chris Ashley - Look, See.=0A=
>>-------------------------------------------------->=0A=
>>Every day since 2002 Chris Ashley has created an abstract coloured=20=0A=
>>drawing in hand-coded HTML tables and posted it to his weblog =E2=80=9CLook=
>>,=20=0A=
>>See=E2=80=9D. The structured format of a weblog frames these small but ofte=
>>n=20=0A=
>>complex works perfectly. Weblogs are an informal medium and personal=20=0A=
>>weblogs often have the quality of a diary or consisting of a=20=0A=
>>confessional nature. This is a deflating context for art, one that in=20=0A=
>>Chris's case allows some of the aesthetic modernism to be rehabilitated without bathos. What was once meant to be=20=
>>=0A=
>>universal is made personal, not with the knowingness of Neo Geo but with=20=
>>=0A=
>>a remixer's virtuosity and enthusiasm.=0A=
>>Reviewer: Rob Myers.=0A=
>>http://www.furtherfield.org/displayreview.php?From=3DIndex&review_id=3D180=
>>=0A=
>>=0A=
>>Flick Harrison's Interactive Cinema: Marie Tyrell.=0A=
>>-------------------------------------------------->=0A=
>>The film =E2=80=9CMarie Tyrell=E2=80=9D came to my attention when I was ask=
>>ed to=20=0A=
>>moderate the Cinematic Salon, a monthly informal community event in=20=0A=
>>Vancouver, hosted by Cineworks, a non-profit artist-run cinema centre.=20=
>>=0A=
>>The Cinematic Salon is meant to, =E2=80=9Cprovide an opportunity for dialog=
>>ue=20=0A=
>>around film artistry, in which guest artists show and discuss their=20=0A=
>>work, encourage other filmmakers at all stages of their careers, as well=20=
>>=0A=
>>as for individuals simply interested in film, meet, discuss and learn=20=0A=
>>    
>>
>>from each other=E2=80=99s experiences in film making.=E2=80=9D This particu=
>  
>
>>lar event was=20=0A=
>>called =E2=80=9CFlick Harrison: Film Interactive=E2=80=9D due to its intera=
>>ctive=20=0A=
>>features as a means to demystify or interrogate the narrative, politics=20=
>>=0A=
>>and production of the film.=0A=
>>Article by Camille Baker.=0A=
>>http://www.furtherfield.org/displayreview.php?From=3DIndex&review_id=3D181=
>>=0A=
>>=0A=
>>FurtherCritic Article by [[Mez]].=0A=
>>-------------------------------------------------->=0A=
>>Unlearning Paris Hilton [vs: Reconstructing (Gender) Isabella].=0A=
>>On Abe Linkoln's video on 'isabelle-dinoire'.=0A=
>>=0A=
>>[[Mez]] Explores Abe Linkoln's video on Isabelle Dinoire, the first=20=0A=
>>person to undergo a partial face transplant, after her dog mauled her in=20=
>>=0A=
>>May 2005. Ideologically + representationally Paris Hilton has a=20=0A=
>>surprising amount in common with her [_House of] Wax_work_drenched=20=0A=
>>performance in the movie of the same name. In _House of Wax_ she=20=0A=
>>portrays a pe[tulant]rpetual bottle_x.tension_teen_sex.shell_blonde=20=0A=
>>intent on conveying some teen_tidbit 2 her jock _clich=C3=A9d_b/friend.=20=
>>=0A=
>>How.eva...=0A=
>>http://www.furtherfield.org/furthercriticreview.php?review_id=3D20=0A=
>>=0A=
>>The FurtherCritic Residency series started early 2002, offering a range=20=
>>=0A=
>>of dynamic and critical reviews, interviews and articles to a diverse,=20=
>>=0A=
>>interested public. Starting with Lewis LaCook, it was continued by Ryan=20=
>>=0A=
>>Griffis and now with ]]Mez[[ (Maryanne Breeze).=0A=
>>=0A=
>>All FurtherCritic article's by [[Mez]], Ryan Griffis & Lewis Lacook can=20=
>>=0A=
>>be reach here:=0A=
>>http://www.furtherfield.org/furthercritic.php=0A=
>>=0A=
>>=0A=
>>If you want to be a reviewer on Furtherfield contact -=20=20=0A=
>>marc.garrett at furtherfield.org=0A=
>>=0A=
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