[syndicate] geld

Pall Thayer pall at fa.is
Fri Oct 14 19:23:25 CEST 2005


Scroll down to the very bottom of the emails, there you'll see that  
you, or perhaps someone else, has subscribed you to the Syndicate  
mailing list. The link at the bottom will take you to the page where  
you can unsubscribe.

The mails won't stop until you do that.

On 14.10.2005, at 13:20, eschim at artic.edu wrote:

> please stop sending me emails!!!!!!
>
>
>
>
>
>
>
>
> Quoting furtherfield <info at furtherfield.org>:
>
>
>> NEW REVIEWS ON FURTHERFIELD.ORG
>> -New works reviewed on Furtherfield.
>> ====================================
>>
>> http://www.furtherfield.org
>>
>> OnlyOneNativeSpeaker - socialfiction.org
>> Visually, OnlyOneNativeSpeaker is simple and straightforward while  
>> the
>> contents alternate between playful, dense, poetic and esoteric.  
>> The home
>> page, with a white background, teal serif text and large red  
>> headers, is
>> roughly divided vertically in half. The left half contains a  
>> chatty yet
>> informative description of OnlyOneNativeSpeaker's purpose, along  
>> with an
>> exhortation for participation, while the right half contains several
>> lists of links grouped under the headings of "Infrastructure,"
>> "Languages," and "Categories." "Languages" is divided into several
>> subcategories: "Local," "Submitted," and "Of interest."  
>> "Infrastructure"
>> contains links to the OONS wiki, the OONS del.icio.us page, and an  
>> OONS
>> yahoogroups mailinglist, along with an email link to  
>> socialfiction.org
>> for language submissions. Reviewer: Alsion Colman.
>>
>> Black Holes - Lewis LaCook.
>> One of the questions that faces those of us who wish to frame and  
>> seek
>> answers to the question of what is Net.Art, (or at least, what it  
>> could
>> be) is the consideration of what part of the project is Net  
>> dependant?
>> Has the artist used the internet merely as the carrier for the art  
>> work,
>> and therefore used it as a free and worldwide form of art gallery,  
>> or is
>> the work intrinsically borne on the web and unable to exist in any  
>> other
>> form? Is the artwork using the networked environment in such a way  
>> that
>> its content is in part formed by the medium? Reviewer: Mark Hancock.
>>
>> Low-fi exhibition including works by: Radarboy, Cavan Convery, UK  
>> Museum
>> of Ordure, Mauricio Arango, James Coupe, Kate Rich.
>> This exhibition is ambitious in its breadth of concept, content and
>> range of networked technologies and while Low-fi accommodates some
>> experimental concept- stretching in a couple of the artworks, the  
>> show
>> is astutely curated. By not relying on the usual protocols of
>> established media art history to justify its existence, it manages to
>> communicate to new audiences without interfering with the artwork's
>> meanings. The supporting information is clear and unpretentious,
>> introducing the work in a way that serves to demystify the technology
>> and places its use well in the context of the artists’ intentions.
>> Collaborative Review: Marc Garrett & Ruth Catlow.
>>
>> BramTV – - Annie Abrahams.
>> The many works built by Bramtv have different existences that emerge
>> according to the decisions that the users make during their  
>> visits. The
>> Internet here is used as a multi-mass universe, of simulations and
>> proposals, where a person can rebuild and re-invent one's self or
>> selves, without having to deal with the usual risk of come back or  
>> the
>> niggling drudge of reality. Bramtv’s snapshot of the website are
>> accessible via the collection button, but the collection pages change
>> each time and when somebody prints a page of the collection it is  
>> a 99%
>> bet of certainty that they will have a '”single portrait” of  
>> bram.org.
>> Reviewer: Joachim Desarmenien.
>>
>> o—o--o--o--o--o--o--o--o--o--o--o--o--o--o--o--o--o
>>
>>
>> If you want to be a reviewer on Furtherfield contact:
>> marc.garrett at furtherfield.org
>> chris Joseph - babel at 391.org
>>
>> Other Projects we are currently involved in (busy R us):
>>
>> NODE.L: [Networked, Open, Distributed, Evnts. London]
>> -an open, participatory season that aims to support and stimulate  
>> Media
>> Arts in London during March 2006.
>> http://nodel.org/
>>
>> http://www.furtherstudio.org/live/
>> (open to all to use)
>> http://www.furtherfield.org/furthercritic
>> (Our current critic in residence at furtherfield, is ]]Mez[[)
>> http://www.furthernoise.org
>> (just been redesigned by Andy Forbes, Editor Roger MIlls)
>> http://www.netbehaviour.org
>> (just been redesigned)
>> http://www.furtherfield.org/gestation/
>> (re-activated-add your own media realted terms)
>> http://www.furthertxt.org
>> (send in your papers to Charlotte Frost)
>> http://www.skinstrip.net/index_archive.htm
>> (archived -cute version. Really naughty version taken down due to
>> crashing the server because of to many visitors)
>> http://www.furtherfield.org/networking
>> (another event coming up this year, probably with furthernoise.org)
>> http://www.furtherfield.org/furtherstudio/
>> (archived for view)
>>
>>
>>
>>
>
>
>
>
>
> -----Syndicate mailinglist-----------------------
> Syndicate network for media culture and media art
> information and archive: http://syndicate.anart.no
> to post to the Syndicate list: <syndicate at anart.no>
> Shake the KKnut: http://syndicate.anart.no/KKnut/
> no commercial use of the texts without permission



--
Pall Thayer
pall at fa.is
http://www.this.is/pallit







More information about the Syndicate mailing list