"European Capitalism and the Need for Metapolitics" in Pragu
Anna Balint
epistolaris at freemail.hu
Mon Jun 6 18:38:02 CEST 2005
WORKERS’ CLUB AT IBCA 2005 – International Biennale of
Contemporary Art - National Gallery in Prague
14. 06. – 11. 09. 2005
Official opening: 13 June, 6 - 10 pm
Curator: Suzana Milevska
Artists and projects:
Zdenko Bužek, Bužek Comedy Club, 2005
Performance (13 June, 7.30 pm and 14 June 5-6 pm)
Susan Kelly and Stephen Morton, What is to be Done? Time-Work-
Organisation, 2002-2005
installation, on-going archive and conference
Tanja Ostojić and Fahim Amir, European Capitalism and the Need for
Metapolitics, 2005
speech (13 June, 6.30 pm) and discussion (14 June, 14.45-15.30)
Dan Perjovschi, Working&Clubbing: The Prague Report, 2005
wall-newspaper and printed newspaper
Tadej Pogačar, MonApoly - A Human Trade Game, 2004
Interactive board game (41 x 28 x 5 cm), edition of 100
Produced by GFZK, Leipzig and P.A.R.A.S.I.T.E. Museum of
Contemporary Art
Mladen Stilinović, Work is a Disease – Karl Marx, 1979 (2004)
text on T-shirt (edition of 150) and
text, acryl on silk, 20 x 80 cm
Mladen Stilinović, The Praise of Laziness, 1993
print on paper, 40x30cm
Workers’ Club Conference and Labour Party
14 June, 10.00 am - 6.00 pm, National Gallery – Collection of Modern
and Contemporary Art, Veletržní Palác
Praha 7 - Holešovice, Dukelských hrdinů 47
+++
The project Workers’ Club is going to take place as one of the 30
curatorial projects to be exhibited during the International Biennale of
Contemporary Art at the National Gallery in Prague, at its main space in
Veletržní Palác. It is imagined as a kind of ironic re-staging of the
workers’ club shows that used to be organised in most of the
communist countries on the occasions such as anniversaries, public
holidays and other celebrations. During such shows various sections of
the local workers’ clubs could present their activities in a form of poetry
readings, drama and sketch performances, concerts, exhibitions, quiz
shows, chess and sport tournaments. By miming this format of workers’
clubs’ shows (but not their content) the project Workers’ Club offers an
informal ‘stage’ for interaction between art and cultural ‘workers’, and
members of the audience (in a way ‘workers’ themselves). The project’s
main aim is not any kind of call for revival of the original concept of
workers’ clubs but it rather intends to enable a ‘second sight’, a kind of
framework for revisiting and critical re-evaluation of this extinct
phenomenon of self-organisation and social ‘design’. The visitors are
invited to mingle and communicate with the project’s participants and
through various art concepts to re-consider the relevance of the issues
of work and organisation of work, self-organisation, measurement of
working time, and also the issues of idleness and organisation of
leisure time in the cultural and art context.
+++
The project European Capitalism and the Need for Metapolitics is a co-
operation between Tanja Ostojić and Fahim Amir. It will consist of a
speech to be performed by Fahim Amir at the opening night, and a
discussion with the audience (Amir´s moderated by Ostojic), the day
after the opening . This project comes as a continuation to Tanja
Ostojić’s previous engagements in cultural critique of the international
art institutions and her disagreement with the way in which certain
relevant political and economical topics are getting introduced in the
context of exhibitions and art conferences. In her opinion visual arts
and political activism should continuously inform each other about
different models and strategies of actions. In the context of Workers’
Club project she has invited Fahim Amir (radical Marxist theorist of
Afghan origin, teaching social politics in Vienna) to give the opening
speech. Amir’s speech is going to point to the urgency of the
problematic relation between art and politics and to the importance
that contemporary artists keep on trying to ‘understand the current
processes with all their contradictions as expressions of and means to
the reconfiguration of forces in a continually changing capitalism.’ (F.
Amir)
Tanja Ostojić is an cross-disciplinary artist and cultural activist of
Yugoslav origin. In her performances and other relational projects she
usually engages in cultural, social, and political critique of the
institutional and individual centres of power. Often playing dangerously
with various authorities such as immigration officials, prisons, museums,
or curators, she exposes herself to possible counter-effects from these
power centres. Thus she has deconstructed the border between her
private and her public life as an artist, especially when crossing borders
illegally in her on-going series of performances, or when in the context
of her on-going project Looking for a Husband with EU Passport she
got married via internet add and subjected herself to many tedious
procedures and discussions with various authorities).
( S. Milevska)
+++
The IBCA 2005 – National Gallery in Prague is held under the auspices
of Václav Klaus, President of the Czech Republic, Pavel Dostál, Minister
of Culture of the Czech Republic, and Pavel Bém, Lord Mayor of the
Capital City of Prague.
Preparatory team:
President of IBCA: Milan Knížák, General Director, National Gallery in
Prague
Main Curator of IBCA: Tomáš Vlček, Director of the Collection of Modern
and Contemporary Art, National Gallery in Prague
Co-ordinator of IBCA: Světlana Michajlová
Production Manager of IBCA: Šárka Podlipná
International Board of Experts:
Anthony Vidler – Dean, Cooper Union, New York, USA
Robert Fitzpatrick – Director, Museum of Contemporary Art, Chicago,
USA
David Joselit – Yale University, New Haven, USA
Maria Anna Potocká – Director, Museum of Contemporary Art, Cracow,
Poland
Contact for journalists:
Petra Jungwirthová
Head of the Public Relations Department
Kinski Palace, Staromìstské Square 12, Prague 1
phone: 222 321 459
e-mail address: jungwirthova at ngprague.cz or
Contact the curator: suzanamilevska at yahoo.com
http://www.ngprague.cz/biennale/projects.php?lng=en&cat=c&id=13
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