The FAQ Catalogue of Net Art

[he tears comsume]

The FAQ Catalogue of Net Art


based upon the différance © löser-schmidt series
http://netzwissenschaft.org/netzwissenschaft_040805/

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  Q: What role does time play in your life?

  A: The projects normative bebilderung* and stolen reality** pick up 
every moment for documentability, whithout any chose of special or 
significant moments, every document (movie or still picture) represents 
the whole set of moments within our (respective my) time.

  Q. How is your project lifetime from a collection?

  A. Collections should be sorted, and in this way a collection 
represents an act of selection. my life documents a spur changing 
between time and room.

  Q: What is the significance of “more” in your life?

  A: The more in my life is a little feeling of eternity, because it has 
no significat beginning or end. projects accompany my life and work, my 
environment, thoughts and small views.

  Q: What will you do with your accumulates after the second show?

  A. The projects will be going further at the web.

  Q: What are the folds of holy picture reflection and where do they 
overlap themselves with textures of the environment?

  A: Perceptions of sense landscapes change themselves off with 
observations more spatially, more socially and for inter+subjective 
relations, which develops at the edges of the tactile matrix.

  Q: How does your project explore the physical and/or symbolic 
possibilities of your accumulates?

  A: Well, the pictures in this program (pinguinismus.de) examine the 
new abstract Extensionen, which develop in remnants of utopian 
visualization and abandoned memory modules in dynamic Clustern. found 
1994, designated the label penguinism in Frankfurt/Main after the 
philosophical paper of the same name on Gilles Deleuze and Felix 
Guattari. Penguinism produced pictures beyond the art scene. When 
stylistic alternative to the slowly arising medium and InterNet art as 
well as to intelligently mobile was established picture community, 
which formed in England around the label atmville.orgund its Artificial 
Intelligence of series, penguinism as innovative Environment label, 
which offered a platform to electronic projects and artists of 
experimental picture compositions. Penguinism is located itself in the 
tradition line of the electronic avant-garde art, since that the 2. 
World war out-differentiated. Particularly the french school of the 
electrical connection artists around Augusts Kitschwasser and Edouard 
k-Sparkoenig as well as the scene around the Cologne based WDR studio, 
which founds stick living and Pleitgen, prove approximately as 
influential.

  Penguinism sets of them esthetics for one of the tonylity and 
Darblehre relerased ikonoklastic wwhite noise art away, which works 
consciously with happenings and errors. A visual extension takes place 
by the argument with the possibilities of digital imaging. the esthetic 
of penguinism is related on the other page of the electronic art, which 
accepts the late 80ies / early 90ies into the 1970 years with power 
station shape and starting from years with the arising of BBS and 
InterNet the Popdiskurs begins to dominate.

  Aspects like the functionality of picture and the questioning the 
author shank came into the foreground and become crucial disticntion 
criteria of a new interpretation of Popkultur. Penguinism continues 
working in the project of the electronic avant-garde art, but under the 
signs of the Popdiskurse. The art / the label is given by the reference 
to postmodernism of theorems among other things not least an image, 
which makes these attractive for the feuilleton. Course-sharpening does 
one say that the appeal on the theory as increase in value one not less 
Glamour-factor throws off.

  For 10 years penguinism however represents all the development of 
experimental electronic and digital art should be affected 
internationally lastingly, be announced until in the year 2004, due to 
the artistic bankruptcy of its Mentors Tobias Rehberger, insolvency 
had. After the end of penguinism has founder Jorgen Sparwasser invented 
three new labels, pisco.inc., Molecular Trash Guerilla and Herr Mika 
Resistance, with which he of project of penguinism under ddiscoursive, 
political and musical conditions 21. Century to update wants. Pictorial 
deserts and sensibility are text and picture vehicles, which the 
audience on a journey by the universe Frankfurt electrical art labels 
of the penguinism as well as its successor carries forward.

  Here the specific mediality is produced medium artists by penguinism 
in form of the InterNet feature, which is represented at the same time 
as diversive archives, in order it its medial conserved form to 
alienate. Pictorial deserts and sensibilities draw here nevertheless 
the picture of a specific act of the Popkultur of the last ten years 
after, for its product them are at the same time be-under-painted these 
theory and sound performance by the video series NORMATIVE ILLUSTRATING 
(penguinism Media, 2004) of Jorgen Sparwasser, last year's ars 
electronica winner.

  greetings from germany
  he tears comsume


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  * web archives of normative bebilderung:
  Vol. 4 _
  http://netzwissenschaft.org/
  featured by kunstradio.at
  Vol. 3 _
  http://designerziehung.de/
  Studio Adorno
  Vol. 2 _
  http://subjektivation.de/
  Applied Net Sciences
  Vol. 1 _
  http://pingelfraaten.de/
  the beginning

  ** stolen reality trashcam picture archive:
  http://pinguinismus.de/

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  previous project:
  http://braan.org/
  the pre-scripts of normative bebilderung

  please see also related issues
  http://onomastik.de/
  and
  http://konsumerziehung.de/



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