[syndicate] Sorry, a bit more... On surrealism of desperate conjugation

[Aliette Guibert]

Of course I have written - and thought of it - by my own ! would you be a
"francophobic macho"?

I am a curious and secret autonomous researcher, an empirical but thinking
woman and knowing of any details which counts at last (only peripherical
details as Henry James could say of) if we know how to convert them into a
plastic dialectical language in our mind - so the formation is just a daily
exercise to be done front of the repetitions and their differences as event,
but not exclusive of strange prime events like otherness :)


----- Original Message ----- 
From: "Alan Sondheim" <sondheim at panix.com>
To: "Aliette Guibert" <guibertc at criticalsecret.com>
Cc: <syndicate at anart.no>
Sent: Sunday, September 26, 2004 1:01 PM
Subject: Re: [syndicate] Sorry, a bit more... On surrealism of desperate
conjugation


>
> Yes, that's wonderful - did you write that? - Alan
>
> On Sun, 26 Sep 2004, Aliette Guibert wrote:
>
> > To be obvious on this concept of naturalism - here it is about an
organic
> > concept (not inevitably concerning the imitation of the appearance):
> >
> > telling that the part of surrealism which could be unnaturalist would be
a
> > transcendantal vision of human artefacts and of the nature in matter of
non
> > aristotelician imaginative forms and spaces... Thus the abstraction at
the
> > surrealists does not belong exactly what we call the abstract art; where
> > from the ceaseless quarrels and misunderstanding between Breton and the
> > painters...
> >
> >
> > ----- Original Message -----
> > From: "Aliette Guibert" <guibertc at criticalsecret.com>
> > To: <syndicate at anart.no>
> > Sent: Sunday, September 26, 2004 11:23 AM
> > Subject: [syndicate] On surrealism of desperate conjugation
> >
> >
> >> The surrealism is not a tendency, it is a sensibility beyond its
historic
> >> radical commitment, in particular visionary because it is the vision of
a
> >> deconstructive naturalism in matter of human artefacts and nature
> > themselves
> >> which build the main actor through the time and transcending the
question
> > of
> >> the truth by the shamanism as a multifield art performance.
> >>
> >> Thus, they could say to you, Alan, welcome to the club!?
> >>
> >> (I suggest that Matta was the last surrealist painter living until the
> > third
> >> millennium; as he was the international mediator of the surrealism in
New
> >> York at the time of the migrations of the Jews just at the dawn of the
war
> >> and the counterpart, so he was also one of the bridges of time
mediating
> > two
> >> millenniums of visions... I had the honor to know him a bit, and just
> >> talking with him for a longer moment once, that is why I dare to speak
to
> >> you about him as I have just seen your three links.)
> >>
> >> A.
> >>
> >>
> >>
> >>
> >
> >
>
> --------------------------------------------------------------------------
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> >
> >
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> >
> >
> >
> >
>
>
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>