Fw: Burn, Baby Burn: Fahrenheit 9/11

[Andrej Tisma]

FORWARDED MAIL:

Burn, Baby Burn: Fahrenheit 9/11

Michael Moore's Fahrenheit 9/11 has descended upon us, a gripping portrait
of the Bush Kingdom that smokes with the flames of these apocalyptic times.
Moore documents how, since 9/11, even going back to the Florida election
scandal, George W. Bush & Co. has scorched our liberties, our laws, our
sensibilities, and our freedoms.

Bush is portrayed, without much effort, as a dangerous buffoon who sat
reading "My Pet Goat" for 7 minutes to a group of school children in
Florida, while hijacked planes were raining from the sky. The Bush Family
"oilgarchy" is shown to have deep business ties (collaborative!) with the
Saudi Royal Family as well as the Bin Laden Clan, throwing the latter's post
9/11 getaway into suspect light. And Moore's account of the Iraq fiasco
centers around the ultra-patriotic Lila Lipscomb from Flint, Michigan, who
is shown sobbing in front of the White House after the news of her son's
death - raging against the Administration.

Fahrenheit 9/11 will surely come to be known as the Great War Film of the
era of the War on Terrorism. The film is one part satire, one part tragedy,
and 100% act of artistic mediation that attempts to unseat from power the
President and his Republican cronies. However accurate the film may be, its
purpose is to peel off the layers of lies and deception handed down by our
political leaders to reveal the true nature of their intent. It also
attempts to reveal the foolishness, sloppiness, and hypocrisy of politicians
on both sides of the isle: an appeal to Congressmen who haven't read the
Patriot Act is countered by reading it to them from behind the wheel of an
ice cream truck encircling the US Capitol; Moore personally recruits
Congressmen by asking them to sign up their own children to join the Army if
they really support the War in Iraq; and a startling scene in the Senate
Chamber at the opening of the film reveals that not a single Senator
supported a House-led petition to investigate the Florida election scandal.

This is the film we have all been waiting for. Fahrenheit 9/11 is a powerful
catharsis that vents the anger spreading across the nation and around the
world at an Administration perilously on the brink of self-destruction and
global annihilation. Michael Moore is the hero of our times, an artist who
has expressed our collective horror. Fahrenheit 9/11 is an artwork that
reaches beyond the screen and attempts to bring the possibilities of change
into action, action that might translate into votes.

Fahrenheit 9/11 demonstrates the power of art to reveal what is so obvious
to some, but remains elusive to most behind the veil of deception and
propaganda. Let's hope the film ignites Joe America and the rest of the
red-zone populace, inspiring them to shed the terrible illusion afflicted
upon them by Fox News and Rush Limbaugh, to exercise their one remaining,
untargeted freedom, the right to vote (even that is now suspect). Our 200 +
year experiment with democracy hangs by a thread, but with films such as
Michael Moore's Fahrenheit 9/11, hope remains.

Go see it if you haven't already.

Randall Packer