[syndicate] Fahrenheit 9/11 : point of view from here

[ctgr-pavu.com]

michel Moore is josé Bové's girlfriend.
he's in the business for the palms and tuba.

could someone please trombaPhone this episode in alexandrains ?

--
OG


Le 13 juil. 04, à 00:29, Aliette Guibert a écrit :

> Apologize on my uncontroled English writing
> A.
>
> A feeling from here
>
> Fahrenheit 9/11 :
> A propaganda film and a slice of life
> Amazing !
>
>
> He (Michael Moore) saved the question of Israel and secret services in 
> the
> strategy of the Iraki war, evacuee Guantanamo and Abu Ghraib ; exit 
> Bremer
> (nevertheless also concerned by the beautiful years of Afghanistan- to 
> know
> that he holds a villa in Basc country, Fr), Negroponte, MS, CIA, FBI 
> and
> partners. This choice, to be held only in the question of the 
> imbricated
> power with the money of Bush family - Saudi including via Afghanistan 
> - and
> to show the capacity of arbitrary destruction abroad by betting on the 
> body
> of the people swamped by the recession of the work in the cities of 
> deep
> America, as well as the structure of the holding companies in which 
> Bush are
> actively involved, and the forgery of the game in the democratic
> institutions. (the question on September 11th grinds, as the title 
> indicates
> it).
>
> These absences explain perfectly the already exhaustive object in the 
> chosen
> fields - object being essentially to reveal what is the least known in 
> the
> United States in prospect of the election campaign and to show the
> schizophrenic fracture marked by the money in the United States; it is 
> true,
> on the other hand, that in the reversal of the Press opinion at the 
> time of
> the broadcasting on Abu Ghraib pics, that of top journalists as Hersh 
> in The
> New Yorker, but the others also of The Washington post and the same 
> New York
> Times ( Sontag and the infinite war -what Moore shows about the active
> Patriot Act in its rustic way in Michigan) as everywhere else in the 
> United
> States, indeed had structurally shown the questions left aside in this 
> film,
> besides enough long -the recent mediatization of all these problems 
> would
> have prevented the necessary distance to affect the target of Bush 
> itself.
>
> Furthermore, he does not try to divide the American people himself into
> diverse communities, conveniently, on the contrary he wishes the widest
> public plate (obviously).
>
> A slice of life marked by the tragic change of situtation of a woman, a
> social assitant in the home town of Moore, Flint, stricken city 
> following
> the liquidation of General Motors in the region (" Return to Flint " - 
> on
> 1980) and still not rebuilded, slice of life of all the protagonists ( 
> Moore
> himself being one ) to go to Washington at last..
>
> A total American film in the confidence of the own critical autonomy 
> and the
> power to creative communication by the author, launching the pragmatic
> cinema in a challenge to the real-time media of the election campaign (
> could be what was the value of the golden palm to this film ); this 
> totally
> anachronistic challenge, nevertheless total contemporary of the crisis 
> of
> the media - as holdings in the hand of power - which marks a new 
> ethical
> stage of the critical comunication as that must cross in the mass
> communications in indifférenciant supports.
>
> Knowing the differences of budget to the various candidates in 
> campaign, and
> the warmth inspired by the opponent in Bush that is Kerry, although 
> having
> become famous as veteran in the movement for the peace ( Vietnam ) and 
> often
> called on the questions of minorities, who signed all the same Patriot 
> Act
> and is not, by far, of the branch most libertarian of the Democrats, 
> (itself
> being a Skulls and Bones as Bush since student), and the film being 
> said
> already in free consultation on Internet, notably in the United States 
> in
> aid of those who are far or deprive for the access to cinemas.. we 
> shall not
> delay knowing the real weight of the cinema in the mass communications 
> in
> the United States, in fine.
>
> A.