[syndicate] Re: Re: Version 5.0 - now online!

[hoord'hur]

que pour toi bobigre..ya des mecs heureux
http://www.chez.com/starsapoilsras/


 --- bobig <bobig at bobig.com> a écrit : > c'est vrai
quoi !
> moi j'ai ma plume dans les fesses j'en fais pas
> toute une histoire !
> 
> ----- Original Message -----
> From: "hoord'hur" <hoordhur at yahoo.fr>
> To: "ViolenceOnlineFestival"
> <nc-agricowi at netcologne.de>;
> <syndicate at anart.no>
> Sent: Tuesday, March 18, 2003 12:10 PM
> Subject: [syndicate] Re: Version 5.0 - now online!
> 
> 
> > ta gueule agricole
> > vos gueules tous
> >
> >  --- ViolenceOnlineFestival
> > <nc-agricowi at netcologne.de> a écrit : >
> > > PRESS RELEASE
> > > Violence Online Festival v.5.0
> > > www.newmediafest.org/violence/
> > >
> > > ***********************************
> > > Now it is so far! Only a few hours
> > > and there will be definitely war in Iraq.
> > > But all the little Bushs in the world
> > > don't have to go so far,
> > > the new Violence Play Station
> > > offers all of them pure war fun and happiness.
> > >
> > > Just join
> > > Version 5.0 of Violence Online Festival
> > > www.newmediafest.org/violence/
> > > which is launched on 18 March 2003
> > > on occasion of the participation in
> > > "Videoformes -
> > > 18th International Video and Multi-media
> Festival
> > > Clermont-Ferrand (France) 19-22 March 2003"
> > > www.videoformes.com
> > > !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
> > > ***********************************
> > >
> > > summary:
> > > Violence Online Festival is
> > > a New Media art project
> > > reflecting the phenomenon of "Violence",
> > > curated, organized and created in Flash by
> > > Agricola de Cologne, curator and media artist
> > > operating
> > > from Cologne/Germany. As an ongoing project
> > > Violence Online Festival is developed for being
> > > presented in future in the framework of physical
> and
> > > virtual media festivals and exhibitions.
> > > For each event a new project version will be
> created
> > > adjusted to the actual needs
> > > including additions of new artists/works
> > > and other changes.
> > >
> > > ***********************************
> > > Version 5.0 of Violence Online Festival
> > > includes works of following new artists:
> > >
> > > Restate, Francesca da Rimini, Tamara Lai, L.L.
> de
> > > Mars, Ryan Griffis,
> > > Isabel Saij, Ventsislav Zankov, re:combo,
> Agricola
> > > de Cologne,
> > > pedropez, Stephen Mead, Sergei Teterin, Mike
> > > Haskett, Joy Garnett,
> > > Team of Get Carted, Andy Deck, Bruce Ives
> > > Irene Marx, Guillaume Dimanche, jgjeux, Peter
> > > Jacobi,
> > > Giacomo PiccA, Stephane Tomora,
> > > Clemente Padin, Antonio Mendoza, Josh MacPhee,
> > > Judith Villamayor, jen
> > > Mara Infidelious, Markus Christian Koch, Michael
> > > Crane, John Burgermann
> > > Maria Papadimitriou, David Vegezzi, Home Team,
> > > Lorenzo Taiuti, Floe Florin,
> > > Scott Becker, Robert Labor, Miguel Carlos Labra,
> > > Cendres Lavy,
> > > Feargal O'Malley, Audrey Mantey, Per Pegelow,
> Tigran
> > > Tovmeysyan,
> > > Hughues Rochette, Daniel Hanequand, Timothy
> Bowen,
> > > Cezar Lazarescu, Caterina
> > > Davinio, ego, Marc Garrett,
> > > Mona Vatamanu, Jatom Joon , Ivan Abreu, Bill
> Berry ,
> > > Isabel Aranda Yto
> > > Alan Sondheim, ED Mole, Katie Bush, David
> Crawford,
> > > Edward Marszewski
> > > Tolya Glaukos, Dyian Anguelov, Bluescreen, David
> > > Sansone, Noya Abdelaziz
> > >
> > >
> > > Fight, beat them, hit them! Join Violence Play
> > > Station!!
> > > ***********************************
> > >
> > > introduction:
> > > The human character contains both a light and a
> dark
> > > side, good and bad,
> > > individually manifested. Deeply rooted is a
> > > dark-sided
> > > element: Violence.
> > > In happy surroundings, it becomes hardly visible
> and
> > > in
> > > less happy surroundings - either of a physical,
> > > psychological,
> > > environmental, ideological, economic or
> political
> > > nature -
> > > nearly automatically a kind of survival
> > > strategy with all the known consequences we see
> > > manifested in conflicts on a small or large
> scale.
> > > Violence is present anywhere, hidden or
> sleeping,
> > > hesitating, waiting or in action, starting from
> > > simple
> > > mobbing via verbalor physical attacks, the
> bandwidth
> > > has no end.
> > >
> > > Nowadays, globalization, social injustice,
> > > unemployment, increasing wealth on one side and
> > > on the opposite increasing poverty (without
> > > mentioning some
> > > causes) produce a climate where violence has a
> > > fertile
> > > soil. From the attack on 9/11 in the USA, people
> > > from
> > > the Western civilization became painfully aware
> that
> > > security of any kind is a mere illusion; not
> only
> > > the
> > > internal, but also the external enemy is present
> > > anywhere.
> > >
> > > Artists are said to be the consciousness of a
> nation
> > > or society
> > > as they reflect the actual state of the
> > > psychological and physical
> > > environment.
> > > When this state is penetrated by violence,
> nobody is
> > > surprised that
> > > violence becomes a universal subject for
> artistic
> > > reflection, the difference
> > > may
> > > only be the view on it and its perception
> depending
> > > on
> > > the respective cultural background.
> > >
> > > 'Art and violence both seem to stem from the
> > > abstract: that place beyond
> > > logic, the realm of the emotion. When they
> intersect
> > > we are simultaneously
> > > repelled and attracted, frightened and excited.
> > > Historically this meeting
> > > has been wrought with complexity, and as
> cultural
> > > violence in every society
> > > increases, we are prevented by paranoia,
> censorship
> > > and ethical demands from
> > > asking, and sometimes even posing, some of the
> most
> > > important questions
> > > violence and art together and separately
> produce:
> > > how is violence
> > > represented, and what or how much of it do we
> need
> > > to resist the cultivation
> > > of fear and the encouragement of dependency? Is
> > > violence a tool, a process
> > > or a result? When are artistic portrayals of
> > > violence justifiable? As
> > > intellectual exercise, ritual, or spiritual
> > > enhancement? For other purposes?
> > > Or are they never justifiable? Is violence in
> art an
> > > action, reaction, or
> > > reflection? ' (quotation: festival statement).
> > >
> > > How different the results of an artistic
> reflection
> 
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