FREE MANIFESTA NEWSLETTER 7 SEPTEMBER O2 (SPOTLIGHT ON INTERNET PROJECTS PART 2 OF 2)

anna balint epistolaris at freemail.hu
Sun Sep 8 18:00:26 CEST 2002


info at freemanifesta.org

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   FREE MANIFESTA NEWSLETTER 7 SEPTEMBER 02

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   FREE MANIFESTA officially ended on the last day of the Manifesta 4
   exhibition, August 25, 2002, but of course free art continues and thrives
   (see the new LIBERARTI project by Karen Elliott). The FREE MANIFESTA
   website will remain online indefinitely as a catalog of the show and an

   access point to all of the artists and their works.   This final issue of
   the newsletter includes part two of a focus on the wide array of internet
   artworks which are part of FREE MANIFESTA.  All of the works listed here
   are still active and accessible.  I'd like to send particular thanks to

   RHIZOME for creating and sustaining an amazing community of artists, so
   many of whom have contributed generously and enthusiastically to this
   project. http://www.rhizome.org

   Thank you to all participants, supporters, and subscribers.  Members of

   this list will continue to receive rare announcements of upcoming and
   related projects - to unsubscribe simply email list at freemanifesta.org with
   "unsubscribe" in the subject or body.

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   CONTINUE THE FREE ART MOVEMENT AT THE LIVERPOOL BIENNIAL WITH LIBERARTI

   Join LIBERARTI - a free art project by Karen Elliott, inspired by FREE
   MANIFESTA.  An official participant of the Liverpool Biennial.


   LIBERARTI
   http://www.liberarti.org

   THE LIVERPOOL BIENNIAL
   http://www.biennial.org.uk



   ABOUT LIBERARTI:

   LIBERARTI is an open exhibition of non-monetary artworks to be held in
   Liverpool from October 10th - December 1st 2002. The project is an
   official participant in the Liverpool Biennial. All events are free of

   charge and can be experienced by any interested individuals. All members
   of the public can register.

   "LIBERARTI discards the curatorial process in favour of a self-elected,
   somewhat anti-authoritarian approach. This juxtaposition produces an
   unusually cohesive agenda for the Big Fight: - Art vs. Anti-art...."
   The Vacuum @ editorial antics, SW - September Issue 2002

   LIBERARTI follows on from the success of FREEMANIFESTA and other Free

   Festival events. LIBERARTI is an extension of NY Artist Sal Randolph's
   original idea:

   "It is intended as an experiment in creating a social network of artists,
   a gift economy that can act as an alternative to traditional forms of
   exhibition in commercial and institutional contexts".

   Continued by Karen Eliot as an experiment in social and cultural
   innovation: LIBERARTI seeks to challenge the role of both audience and

   protagonist.


   PRESS RELEASE FOR ARTISTS:

   LIBERARTI

   Who: An open call to artists: All artists, Liverpool, local, or

   internationally based, young, old, any artform or discipline, innovative
   ideas welcome.


   What: LIBERARTI is an artist-led free arts festival/open exhibition
   centred around the city of Liverpool, from October 11th for six weeks. All

   artists, arts/performance groups, web/virtual artists, community
   practitioners, etc. of any background can participate with works of a
   non-monetary nature. (i.e. no entrance fees, no money changing hands, no
   items for sale). LIBERARTI is an experiment in creating a social network

   of artists, operating a gift economy which can act as an alternative to
   traditional forms of exhibition.


   How: To participate, log on or write to LIBERARTI and register your
   project details at the site. You will need: an image of your work, project

   description, date and time your project takes place, and an s.a.e.


   Details: Any artist who wishes may participate. All works and projects
   must be in a public or quasi-public place in the Liverpool area, or be
   accessible by the people of Liverpool, eg. web, radio, sms, downloadable

   music, sound works, happenings, are all welcome. Artworks will be produced
   independently and can take place in any public space throughout the city
   and may include any media such as internet, telephone, mail and hand
   distribution. An updated e-mail newsletter will be distributed with full

   listings to promote all who register. A basic html site will carry all
   info for web access.


   Contact: http://www.liberarti.org


   Deadline: 10th October for all submissions.



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   FREE MANIFESTA: THE AFTERWORD

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   SPOTLIGHT ON ONLINE PROJECTS (PART TWO OF TWO):

   Internet works, net art, flash & javascript movies, sound streams,
   interventions, downloads, compendiums, collectives,  etc.

   complete listing at http://www.freemanifesta.org/categories.html



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   INVISIBLE MAPS: PAUL CATANESE

   We endlessly create markers, signs, roadways and paths which define where

   we can go and how we may arrive there. When we travel, our choices become
   a narration, a grouping of letters, words and sentences. With every
   gesture we write novels, and every stroll fills volumes of encyclopedia.
   Even the simplest acts are ones which create marvelous and unknowable

   relationships - invisible realities that linger in the atmosphere with the
   smell of electricity. http://www.skeletonmoon.com/maps.html

   http://freemanifesta.org/artists/catanese.html

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   JIMPUNK: JIMPUNK http://www.jimpunk.com/

   http://freemanifesta.org/artists/jimpunk.html

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   KILLTHEPRESIDENT.ORG: RYAN GIBSON & MASON DIXON


   The site's point of entry poses an undeniable threat to any fanatic or
   ideologue who can not tolerate opposing viewpoints, and as such the site
   becomes a haven for uncomfortable discourse aimed at cultural growth. The
   nodes of expression range in subject from digitally manipulated imagery to

   computer games, transgender to electronic warfare, animation to
   installation, pornography to politics. Each is presented in a way that
   parallels the intent of its message; some focusing on educating, others on
   documenting, while others contribute artistic material to the use's life

   through downloadable media and web-based applications.
   http://www.killthepresident.org/

   http://freemanifesta.org/artists/gibson.html

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   LASTE:NACH:2: DAVID GOLUMBIA

   April 13, 2002 was the last night that the twin beams of light near the
   World Trade Center/Ground Zero site were on display. On every other night,
   the lights were turned off at midnight. On the final night (the night of

   April 12/morning of April 13), the lights were left on until morning.
   Between 1:43am and 2:51am I took a series of digital photographs in a loop
   around Manhattan, driving directly by the light generator and then walking
   back up through and around the lights. The resulting presentation,

   assembled in line with Eryk Salvaggio's "Six Rules for Internet Art" (to
   many of which the artist had already been adhering as good working
   principles), resembles a "traditional" photo album, but responds to user
   interaction with unexpected behaviors that provide cultural and textual

   refractions on the sequence of images. http://uiuuii.com/las2/

   http://freemanifesta.org/artists/golumbia.html

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   LATENTE SEHNSUCHT: BLAISE BOURGOIS & STÉPHANIE BOISSET


   introducing the story of a glance, a textual and photographic touch...
   precious instants, when 2 artists get to share rare moments of life, so
   intimate, so far away... paris, berlin... during two weeks intimate
   feelings from the european historical axis meet in frankfurt.

   http://www.latentesehnsucht.de/

   http://freemanifesta.org/artists/boisset.html

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   LEMON SUGAR: MIA THOMSETT & JANE THOMSETT


   An interactive web art project that involves sound, incorporating drawings
   of spaces and situations into digital scenes.
   http://members.shaw.ca/miathomsett/

   http://freemanifesta.org/artists/thomsett.html


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   LIFESTYLE: SANTE SCARDILLO

   LIFESTYLE confronts the impact of advertising on social behavior. The
   ultimate goal of brand domination defines a tool of cultural colonization

   with implications and objectives beyond simple economics. Global ad
   campaigns no longer advertise the mere object exchanged for currency: it
   is the image as mirror, the marketing of the imaginary inclusion in the
   ³elite² who can appreciate the subtleties of a constellation made of

   objects that imply a life style. No longer just incidental to the medium,
   the message is the Message. LIFESTYLE satirizes, exposes and questions the
   Message of advertising, juxtaposing it to the broader picture of societal
   values. Download images from:


   http://freemanifesta.org/artists/scardillo.html

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   LOS DIAS Y LAS NOCHES DE LOS MUERTOS: DOLL YOKO & MG vs Rok

   LOS DIAS Y LAS NOCHES DE LOS MUERTOS is a ghost work of counter-memories,

   tracing thresholds of impossibilities beyond the blank gaze of
   pan-capitalism. A drifting carnival of five micro-stages recombines the
   newest blue-eyed sons of star wars, top-sight trajectories of power and
   capital, and the living dead who name themselves Zapatistas.

   http://www.thing.net/%7Edollyoko/LOSDIAS/INDEX.HTML

   http://freemanifesta.org/artists/yoko.html

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   M*A*S*H Pro Audio: PETER LASELL


   Ambient industrial field recordings from NYC. Using the process of walking
   and moving through the crowded city scape to sequence and produce sound
   pieces. Download mp3s from: http://www.abattoir.com/%7Eflint/mash1.htm

   http://freemanifesta.org/artists/lasell.html


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   MELODRAMA NO.2: ANDREA FLAMINI

   Melodrama No. 2 photos, video stills, sounds - Interactive video, color.
   2001 "The narrative pressures the surface of reality". [Peter Brooks: The

   Melodramatic Imagination (1976).] Melodrama No.2 is an interactive video
   which makes use of scripting to compose and randomly select visuals and
   sounds. The viewer can participate in the piece by composing visuals and
   sounds within given parameters set by the artist. To fully explore the

   work the user should hover slowly on the gray patterns. In addition,
   waiting idly on some pictures triggers additional narratives.
   http://www.waterdream.com/melodrama-2.html

   http://freemanifesta.org/artists/flamini.html


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   METABIENNIAL: CURT CLONINGER

   'Tis the season to host your own biennial show, because virtual "space" is
   free, and beating the "what is real/who own's what?" conceptual dead horse

   is just too easy to pass up! http://www.lab404.com/biennial/

   http://freemanifesta.org/artists/cloniger.html

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   MY POCKET CAMERA: AGRICOLA DE COLOGNE


   After some time the harddrive becomes a mountain of garbage, useless
   property to be thrown out. Yes, always underway digitalizing anything my
   camera fixes all that stuff my harddrives tries to hide before my eyes.
   http://www.nmartproject.net/agricola/mpc/volume7/my_pocket_camera2.html


   http://freemanifesta.org/artists/agricola.html

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   NEVER WAKE UP: AGRICOLA DE COLOGNE

   Flash movie created by media artist Agricola de Cologne. It is based on

   the artist's poem of the same name. Subject: Loss of identity: Soldiers
   become distorted, veterans of war are not able to be reintegrated in
   society. The poem/movie uses some fundamental images: The soldier=
   metaphor for the human individual. War=metaphor for life, respectively the

   fights of all day life. Veteran of War=the human being who can not rid of
   the Shadows of the Past.
   http://www.nmartproject.net/agricola/mpc/never/never.html

   http://freemanifesta.org/artists/agricola.html


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   NEWZOID HEADLINES: DANIEL YOUNG

   NewZoid is a work of generative art that helps cure information sickness
   by providing a continuous flow of false daily news headlines.

   http://www.newzoid.com/

   http://freemanifesta.org/artists/young.html

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   NO MEMORY: VALERY GRANCHER


   "Heart Time // Time heat" is a new kind of human mirror: This mirror is
   dealing with new kind of time.
   What should be universal time ? the actual one regulated by GMT ?  But how
   this time may work if someone is travelling from Earth to Mars, or through

   universe toward another galaxy? is this scale based on night and day may
   have a meaning in this context ? I guess not ! so what is the solution ?
   There is one: there is a specific dynamic time scale for each human.
   http://www.nomemory.org/


   http://freemanifesta.org/artists/grancher.html

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   NOFOCUS: NICOLAE COMANESCU, EUGEN GUSTEA, DILMANA IORDANOVA, MIHAELA
   KAVDANSKA


   NOFOCUS is a five level project. _The first level: nofocus is a
   meaningfully and a very clear collection of obscure, unclear, vague,
   indistinct, incomprehensible things. It is a collaborative project based
   on the exploration of the nofocus field (nofocus images -still and

   moving-, nofocus information, histories, current news, thinking, theories,
   behavior, attitudes and politics). Nofocus is an anthological domain
   filled with all stuff from artists working in all media. Or no artists.
    http://www.nofocus.org/


   http://freemanifesta.org/artists/comanescu.html

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   NOT TV: EMILY WEBBER

   not TV is an art based live streaming web site, this means that we can

   show video, performance and sound work live or pre-recorded over the
   Internet. We were created as an alternative to the art gallery in which to
   show works, the space is not used as an online catalogue, but rather a
   virtual art space. The launch of not TV was December 2000. Not TV is web

   cast to be viewed on a 56k modem or above, this means that it can be
   viewed at home on a standard connection, with software that is free to
   download from the internet.  not TV is accepting submissions of web based
   work that is around the theme of new media and exists mainly on the web,

   any info can be obtained by emailing Emily Webber. http://www.not-tv.org/

   http://freemanifesta.org/artists/webber.html

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   NY9202: ALEXANDRA REILL


   an online collage referring to ongoing war nyc / vienna / 1992 / 2002
   NY9202 relates to the catastrophy of 11 / 09 / 02 and its consequences as
   an seemingly unending conflict between two old and redundant views of
   life, as an ongoing war of the rich for power and capital and a war of the

   poor for equal rights, freedom of belief and stable economics. during a
   visit of N.Y.C. in 1992 a collage book of collected materials from
   commercials combined with notes, markers' drawings and acrylic paintings
   relating to daily / normal life and characteristic aspects of N.Y.C.

   emerged. the ongoing war between the U.S. and the muslim world transforms
   the look at life in N.Y.C. and everybody's life in the western world.
   images of poverty and suffering, of war and hunger do not bear any
   gimmicks or decoration and cannot be erased from anybody's mind. Daily

   life is not the same any more kanonmedia.com cannot believe in warfare but
   definitely believes in peaceful solutions and equal human rights for
   everybody and every culture. NY9202 is meant to be a piece expressing deep
   concern about global developments and raising a voice for peace and

   against war. http://www.kanonmedia.com/portfolio/nyc9202.htm

   http://freemanifesta.org/artists/reill.html

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   ONMOUSEOVER-ONMOUSEOUT: LUIGIA CARDARELLI


   The movement of the mouse on the image, through javascript, gives dynamism
   to the HTML page. A simple inter-active gesture wants to involve and to
   allure the observer, in the meanings the image can acquire developing
   itself in the original space of the net.

    http://space.tin.it/arte/lcardar/pol.html

   http://freemanifesta.org/artists/cardarelli.html

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   PHOTOMONTAGE: SHIRIN KOULADJIE


   We unconsciously demand the application of certain elementary principles
   in the arrangements which surround us in daily life. These principles are
   so simple that when they are complied with, one is not even aware of the
   source of one's satisfaction. On the other hand the violation of these

   simple principles will give rise to a feeling of disappointment which is
   none the less actual for being, sometimes, quite undefinable. The success
   of each project in my site, photomontage.com depends in a measure on
   correct balance in every sense this medium - digital art/web site - has to

   offer. What I build is a collage or an assemblage of interrelated short
   art pieces that although seemingly detached from each other, in whole,
   express a complete thought or statement. My site remains in a "work in
   progress".  http://www.photomontage.com/


   http://freemanifesta.org/artists/kouladjie.html

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   PICTURE RUBBLE: RAINER GANAHL

   "Picture rubble / raw material" is what it is: photographed television

   images and freeze-frames of electronic footage released from news
   organization, media monopolies and the Pentagon. The content of the images
   is the current "War on Terrorism:" the hunt for Bin Laden and the bombing
   of Afghanistan. Frequently, what we see in the "live,", "in depth," or

   "special" reports are bombed buildings, tanks, airplanes, rubble,
   accompanied by the talking heads of the spin doctors, who explain, justify
   and speculate on this war, its means and measures.
   http://www.thing.net/gpics/


   http://freemanifesta.org/artists/ganahl.html

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   POEM FOR ECHELON: JAKA ZELZNIKAR

   Your personal communications may be being monitored. Protest! Poem for

   Echelon is text / net-visual poem generator. It generate text suspicious
   to Echelon - global spy infrastructure. It can be experienced as art
   object or/and as tool for (kind of) 'virtual sit-in'. More info about the
   project (and Echelon) can be easily found in the project itself.

    http://www.jaka.org/2001/echelon/

   http://freemanifesta.org/artists/zeleznikar.html

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   PORTRAIT OF THE ARTIST AS A HOME PAGE: PORTRAIT OF THE ARTIST AS A HOME

   PAGE

   "Portrait of the Artist as a Home Page" examines the easy narcissism of
   the internet. Using myriad personal homepages as its source material,
   "Portrait..." can be thought of as a documentary of the home page genre.

   Text colors, background images, and most importantly the images themselves
   are all culled from actual home pages and websites. These multiple
   portraits illuminate and reconstruct self-presentation on the internet.
    http://www.geocities.com/portraitoftheartistasahomepage/


   http://freemanifesta.org/artists/portrait.html

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   REDEEMING THE GENE, MOLDING THE GOLEM, FOLDING THE PROTEIN: SONYA RAPOPORT

   Redeeming the Gene, Molding the Golem, Folding the Protein

   http://users.lmi.net/sonyarap/redeeming/index.html

   http://freemanifesta.org/artists/rapoport.html

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   SMOKE_SCREEN: JOY GARNETT


   s m o k e_s c r e e n s  is a hyperlinked remix of found images as portals
   landscapes of subterfuge resources for revelation archives of media spin
   disinformation government secrets conspiracy theories self-propagating
   myths and news. http://firstpulseprojects.net/smoke_screens_index.html


   http://freemanifesta.org/artists/garnett.html

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   STATE GOVERNMENT TETRIS: DEBBIE SALEMINK AFONSO

   This site uses the state government site of the USA by placing a tetris

   game on a mirrored front page to show the banality of the current
   situation. http://www.salty.org/summary/state_gov.html

   http://freemanifesta.org/artists/afonso.html

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   TIMESCAPE: REYNALD DROUHIN

   Can the Internet be exhibited?  24 hours a day search engines seek
   pictures on the internet. "Timescape" presents a glimpse into these
   searches as they happen, in real time.  The Timescape landscapes appear as

   fleeting electronic canvases through an accumulation of random
   photographic mosaics.  The contents of the landscapes are different with
   every new connection and each time the page is refreshed. According to the
   time of day, a generic grid will appear...it's up to the user to define

   the elements in the matrix.  Appropriation and distraction come into play
   in this project, there is little if any interactivity involved.
   Observation and contemplation are paramount; watching the evolution of a
   landscape as it contructs itself. Occasionally the flux of images will be

   punctuated by an error window further reducing the interactivty of the
   experience. This "Real-Time Landscape" refreshes itself each hour. The
   entire "Timescape" tableaux is replaced with new images emphasizing the
   ephemeral nature of the actual landscape you find yourself in.

   http://www.incident.net/works/timescape/

   http://www.freemanifesta.org/artists/drouhin.html

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   TRANSFER: BLUESCREEN


   Given: A fragment of reality. The physical location of this fragment. On
   this reality: a blue paper screen.
   On this screen: an Internet address. Behind this address: a virtual
   picture of the fragment. http://www.b-l-u-e-s-c-r-e-e-n.net/transfer/


   http://www.freemanifesta.org/artists/bluescreen.html

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   VIVA LA VITA!: ANTOINE MOREAU

   A conversation between the virtue and the virtual that you can take part

   in.
   Any language is wellcome. http://antomoro.free.fr/artlal/vivalavita/

   http://freemanifesta.org/artists/moreau.html

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   www.Manifesta4Art.com: BRUEC

   Artist's gift to the people of Frankfurt and the World Wide Web initiated
   by Sal Randolph's Free Manifesta.
   http://bruec.bigstep.com/manifesta4art.html


   http://freemanifesta.org/artists/bruec.html

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   WWWTC: llll-llll-llll.com

   merry.economy.and.happy.new.war

   lll-lllllll-lllllll-lllllll-lllllll-lllllllllll-lllllllllll-lllllllllll-lllll
   http://llll-llll-llll.com/

   http://freemanifesta.org/artists/lll.html

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   THE ZERO : CHRISTINA RAY

   In the mid-1950's, American artist I. Rice Pereira wrote a short book
   entitled 'The Nature of Space.' In it she explained the apprehension of
   space as an attribute of consciousness, and specified an irrational, or

   unknowable, spatial quantity which she called 'the zero.'  This project is
   about collecting known spaces and, through re-arrangement, generating
   unknown or 'zero' spaces impossible to describe logically.  In December of
   2001, I sent an email to friends requesting that they send me descriptions

   of places, either from books or from their own memories. I collected about
   150 sentences, divided them into fragments and entered them into a
   database with identification numbers for each fragment. A randomly
   selected group of these numbers has been inserted into each photograph.

   Clicking on numbers in different areas of the image causes a sort of poem
   to emerge. Each image has many possible combinations, all of which in some
   way describe a location. I like to think that throughout history memories
   and stories of places have been accumulating in space like a dust cloud of

   numerical data or an invisible hieroglyphics. The stories are always there
   to be decoded and re-generated, but they still remain as elusive as the
   zero. http://www.glowlab.com/thezero.html

   http://freemanifesta.org/artists/ray1.html


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   MORE INTERNET PROJECTS ON THE WEBSITE AT
   http://www.freemanifesta.org/categories.html

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   THANKS AGAIN TO EVERYBODY!
   http://www.freemanifesta.org/thanks.html

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   FREE MANIFESTA
   http://www.freemanifesta.org
   info at freemanifesta.org

   Manifesta 4, the European Biennial of Contemporary Art
   http://www.manifesta.de


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