GRZINIC: SYMPOSIUM: BIOTECHNOLOGY, PHILOSOPHY and SEX IN LJUBLJNA
Marina Grzinic
margrz at zrc-sazu.si
Tue Oct 1 16:08:49 CEST 2002
BIOTECHNOLOGY, PHILOSOPHY and SEX
Conference on Trans-sexuality, New Mediatechnologies & Gender
10-13, October 2002, Ljubljana
CONCEPT: Marina Grzinic, Maria Klonaris and Katerina Thomadaki
TOPICS: cyberfeminism, cloning, global culture/global nature,
politics, gender strategies, extraordinary bodies, aesthetics
The international conference/symposium is about philosophical and
interdisciplinary (artistic, cultural, political) re-consideration of
science and technology, biochips and organs, male and female
(trans-sexuality). The development of various forms of observation in
space in connection with very special forms of human perception tend
to efface the duality of body and mind. The relationship between the
body, the machine, the sexual and prosthetical opens an array of
epistemological and philosophical questions. Today we see a process
of fostering disembodiment within new media technologies, opening
crucial questions regarding the politics of representation and the
semiotics of articulation of different bodies in different spaces.
Last but not least we will have to further question implications
concerning specific representational strategies that focus on the
human body, developing systems and paradigms, structures and matrices
of representations of historically, gender and class-determined
bodies.
PARTICIPANTS:
Marie-Luise Angerer (Germany)
Caroline Bassett (Great Britain)
Sarah Franklin (Great Britain)
Marina Grzinic (Slovenia)
Amelia Jones (USA)
Maria Klonaris/Katerina Thomadaki (France)
Marie-José Mondzain (France)
Claudia Reiche (Germany)
Karin Spaink (Netherlands)
Jackie Stacey (Great Britain)
CONFERENCE AND FILM PROGRAM
THURSDAY, 10, October, 2002
FILM PROGRAM
At 20.00, Slovenian Cinematheque, Ljubljana
A HOMAGE TO SANDRA LAHIRE (1950-2001)
Curated by Maria KLONARIS & Katerina THOMADAKI
The Sylvia Plath Trilogy by Sandra Lahire:
1. Lady Lazarus, 16 mm, colour, 25 min, 1991
2. Night Dances, 16 mm, colour, 15 min, 1995
3. Johnny Panic, 16 mm, colour, 40 min, 2000
FRIDAY, 11, October, 2002
CONFERENCE
Place: CLUB CANKARJEV DOM, Ljubljana
14.00 Welcoming note by Marina Grzinic
14.15 -15.00 Caroline Bassett: STRETCHING BEFORE AND AFTER (THE BODY
OF NARRATIVE)
15.00-15.45 Marie-Luise Angerer: THE BODY BYTES BACK
15.45-16.30 Karin Spaink: CYBORGS: BEYOND DICHOTOMIES
16.30-17.00 coffee break
17.00-17.45 Maria Klonaris/Katerina Thomadaki: DISSIDENT BODIES IN
THE DIGITAL ERA
17.45-18.30 Marie-José Mondzain: FIGURES OF OTHERNESS AND DIFFERENCE
IN KLONARIS' & THOMADAKI'S WORK
FILM PROGRAM
At 20.00, Slovenian Cinematheque, Ljubljana
Maria KLONARIS / Katerina THOMADAKI
"L'ANGE AMAZONIEN. Un portrait de Lena Vandrey " ("THE AMAZONIAN ANGEL").
>From "THE PORTRAIT SERIES," 16mm, colour & b/w, sound, 92min., France, 1992
SATURDAY, 12, October 2002
CONFERENCE
Place: GALLERY KAPELICA, Ljubljana
15.00-15.45 Marina Grzinic: RUPTURE
15.45-16.30 Amelia Jones: FLÂNEURIAL BODIES: RECIPROCAL MAPPINGS OF
THE ARTIST AND URBAN SPACE
16.30-17.00 coffee break
17.00-17.45 Claudia Reiche: THE VISIBLE HUMAN PROJECT: ACCESSING AN
OBSCENE IMAGE BODY
17.45-18.30 Jackie Stacey: IMITATION OF LIFE: HOMOEROTICISM AND THE
NEW GENETICS IN THE CINEMA
18.30-19.15 Sarah Franklin: DOLLY'S BODY: GENDER, GENETICS AND THE
NEW GENETIC CAPITAL
Marie-Luise Angerer is Professor of Gender & Media at Academy of
Media Arts in Cologne, Germany. Her teaching and research areas are
New Technology, Media and Gender Studies, Body, Psychoanalysis, Art
and Philosophy.
Caroline Bassett is a member of faculty in department of media and
cultural studies at the University of Sussex, Brighton, UK. She has
written extensively on digital technology, as a journalist and now as
an academic. She is currently working on The Arc and The Machine, a
book on narrative and new media.
Sarah Franklin is Professor of Cultural Anthropology, Anthropology of
Science at the Lancaster University, Great Britain, and as well as
researcher at the Centre for Science Studies, at Lancaster
University. In 2001 she was the recipient of a Leverhulme Fellowship
to complete a project on cloning, Dolly Mixtures, which extends her
interests in theories of kinship and gender, the embodiment of
progress, and new forms of genetic capital.
Marina Grzinic Mauhler is researcher at the Institute of Philosophy
at the ZRC SAZU (Scientific and Research Center of the Slovenian
Academy of Science and Art) in Ljubljana. She also works as a
freelance media theorist, art critic and curator.
Amelia Jones is associate professor of art history at the University
of California at Riverside. Her last book is Body Art/Performing the
Subject (2001) which represents a reconception of the subjectivity of
the artist and the historian calling into question both the
production and interpretation of art.
Maria Klonaris and Katerina Thomadaki are media artists and
filmmakers, curators and theorists of Greek origin. Established in
Paris since 1975, they produce films, videos, multi-media
installations, performances, photographic pieces, sound and texts.
Katerina Thomadaki is Maître de conférences associé at the department
of Visual Arts and Aesthetics, University Paris I-Sorbonne and a
researcher at the Collãge Iconique (Inathãque de France), and at the
Centre de Recherche sur l'Image (Ecole doctorale, University Paris
I-Sorbonne). <http://mkangel.cjb.net/>http://mkangel.cjb.net
Marie-José Mondzain is a writer and a philosopher. Director of
Research at the Centre National de la Recherche Scientifique (CNRS),
she was also the co-founder, with Régis Debray and Francis Denel, of
the research center "Collãge Iconique" at the Institut National de
l'Audiovisuel (INA).
Claudia Reiche is culture and media theorist, artist, curator and
member of the Women's Culture House Thealit Bremen. Reiche research
is focused on medical visualisation, artificial life and electronic
entertainment and especially on the Visible Human Project
(http://www.rrz.uni-hamburg.de/koerperbilder).
Karin Spaink is a writer and essayist. She's fascinated by the
intersection between physical presence (bodies) and social and
technological surroundings. She has written about the Internet,
cyborgs, gender, pornography and trans-sexuality. Other important
subjects are the right to suicide, the relief that horror films
provides, and the overall importance of freedom of speech.
<http://www.spaink.net/>www.spaink.net
Jackie Stacey is Professor in Women's Studies and Cultural Studies,
Department of Sociology, Lancaster University. She is Co-Editor of
the film and television studies journal Screen. Her recent book is
Global Nature, Global Culture (written with Sarah Franklin and Celia
Lury, Sage Publications, 2000).
Sandra Lahire (1950-2001), a major British avant-garde filmmaker,
died unexpectedly in July 2001. A deep thinker and a delicate
imagist, brilliant and vibrant, she left a cinematic legacy
culminating in the Sylvia Plath Trilogy.
PRODUCTION: MASKA, Ljubljana within the Seminar for contemporary
performing arts in collaboration with Cankarjev dom, Ljubljana
PARTNERS:
Cankarjev dom, Ljubljana and the Department for Humanity and
Education at CD (Barbara Rogelj)
CITY OF WOMEN, Ljubljana (Koen van Daele)
CNVOS - Fundation Center for information, collaboration and
development of the non-govermental organisations, Ljubljana (Natasa
Sukic)
Gallery Kapelica, Ljubljana (Jurij Krpan)
Slovenian Cinematheque
ZRC SAZU- Scientific and Research Center of the Slovenian Academy of
Science and Arts (dr. Oto Luthar, Director)
FI ZRC SAZU- Institute for philosophy ZRC SAZU
L'Institut Français Charles Nodier/French Institute Charles Nodier,
Ljubljana (Bernard Micaud, Director )
AFAA, Paris
Ministry for Information Society of Republic of Slovenia
Ministry of Education, Science and Sports of Republic of Slovenia
Goethe Institute, Zagreb
The Netherlands Embassy, Ljubljana
Maska
Metelkova 6
1000 Ljubljana
Slovenia
phone/fax +386 1 4313122
<http://www.maska.si/>www.maska.si
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