frequencies [Hz] / febr. 09. - april 28. / Frankfurt a.M. Schirn Kunsthalle
Claudia Westermann
media at ezaic.de
Mon Feb 4 02:51:02 CET 2002
frequencies [Hz] / febr. 09. - april 28. / Frankfurt a.M. Schirn Kunsthalle
audio-visual spaces
http://www.surface.de/projects/schirn/frequenzen/frequenzen.htm
Exhibition
Knut Åsdam, Mark Bain, Angela Bulloch, Farmersmanual, Tommi
Grönlund\Petteri Nisunen, Carl Michael von Hausswolff, Ryoji Ikeda, Ann
Lislegaard, Carsten Nicolai, Daniel Pflumm, Franz Pomassl, Ultra-red, Mika
Vainio
Performance Series
Program:
09. Feb. Pan Sonic / alva noto / Farmersmanual
10. Feb. Ryoji Ikeda / Carl Michael von
Hausswolff / Franz Pomassl
15. Feb. Pita / Errorsmith / Frank
Bretschneider
16. Feb. snd / Thomas Köner + Jürgen Reble
22. Feb. Fennesz / Opiate / Mainpal Inv.
-Goodiepal
23. Feb. Monolake / Random inc. / Ekkehard
Ehlers
28. Feb. Markus Schmickler / Steinbrüchel
vs. Onlab / Richard Chartier
02. Mar. Mazk (Masami Akita, Zbigniew
Karkowski) / Florian Hecker / coH
07. Mar. Disinformation / Achim Wollscheid
/ Marc Behrens
08. Mar. Christophe Charles / Stephan
Mathieu / Senking
April.___Ultra-red (TBD)
Location:
Schirn Kunsthalle Frankfurt, Start: 8 pm
"Frequencies [Hz]" brings sound, light and space together in a multifaceted
physical experience. The visitor enters acoustic spheres that transcend
conventional concepts of sound. In a quest for new dimensions of hearing
and listening, the exhi-bition explores the total bandwidth of audio-visual
perception in works conceived specifically for this show by leading
contemporary artists in the field of "sound art". The spectrum extends from
works on the threshold of the audible by Mark Bain and physically audible
compositions by Franz Pomassl and Mika Vainio to minimalist installations
by Ryoji Ikeda, works of political and social relevance by Ultra-red and
Farmersmanual and outdoor works such as the site-specific multimedia
installation by Carsten Nicolai in the Schirn Rotunda. "Frequencies [Hz]"
introduces a new generation of artists who, building upon the ideas of the
artistic avant-garde, have overcome the boundary between visual art and music.
The series of concerts staged on occasion of the exhibition documents how
the exhibited artists work with sound in space as a performative
enunciation of their practice. It also introduces a range of other artists
and musicians who work in similar contexts and who relate to the exhibiting
artistsí use of sound as a core element of their installational work. All
artists involved have contributed to developing a new language of
electronic sound and continue to push the limits of art and music
production. The exhibition and the concert series provides common ground on
which different approaches are being tried and experienced.
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