dze buzl ov uuuuuu
integer at www.god-emil.dk
integer at www.god-emil.dk
Sun Aug 18 09:17:09 CEST 2002
"Borcila, Rozalinda" <borcila at arts.usf.edu>
>it is very rare
untrmensch
>that i respond to any messages posted, being happy to read
! !gnor u
>and follow discussions as they unfold.
get dze
>but there is something here in
h!er !n h!er !n h!er !n
>calin's message, or perhaps
ur bod!ez r brokn
u entr dze
>not even
untrmenschhhhhhhh
>in his message but beyond it,
! !gnor u
>something that
v!rkl!chke!t
>i recognise and which troubles me greatly. i, too, am a
>romanian and an artist. i realise i am in a sad minority as a romanian and
>an artist when i stubbornly hold on to the idea that art has no relevance
>once it defines itself as an insular , or autonomous, practice -- but
>rather, by its very definition, it is a cultural practice, and therefore,
>in relation to other aspects of culture: from literature to politics to
>history. where exactly these boundaries are to "art", that we can find,
>trace and then remain within them -- and how to maintain them so
>well-behaved? but most of all, why? what is there to gain from the
>rigidity of souch discoursive formations? i am deeply suspicious of the
>principle of autonomy.
draga patr!c!a
kater!na protezteaza kontra v!ata paterna
>as a romanian
naked zo!l
>and
>an artist
uat klr r dze platez
>someone once used the term
nn
>i wonder if this
>is what calin means?
cal!n !z 2 ollllllld 2 mean an! dz!ng
>rozalinda
dze 1001 vo!zez ov gheorghe gheorgh!u dej [zku!!!!!!!!!k
http://www.membank.org/dataset/n/le.mur.noir.mp3
nn - ue dekorat ur l!!!pfz
szkr!!!!!!!!!!!!!!!!!!!!!m
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\_\ because i like stepping on bugs
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